Beobachtete Verkäufe, Vergleichsnachweise, Künstlerindexhistorie und modellierte Forschung bleiben getrennt.
Öffentliche Verkäufe desselben Künstlers, geordnet nach Technik, Entstehungsjahr, Maßen und Aktualität des Verkaufs.
Liang Qingbiao 梁清標 [1620–1691]
Zhang Daqian 張大千 [1899–1983]
C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art
The Cleveland Museum of Art, Cleveland, OH
Liang Qingbiao 梁清標 [1620–1691] Zhang Daqian 張大千 [1899–1983] C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
Year in Review: 1971. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972). The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Scholar's Studio. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 19-December 17, 1989). Pacific Standard Time: Growing and Knowing in the Gardens of China. The Huntington Library, Art Collections and Botanical Gardens, San Marino, CA (organizer) (September 14, 2024-January 6, 2025) https://huntington.org/exhibition/duotiangong-growing-and-knowing-gardens-china.
Rogier van der Weyden (Flemish, c. 1399–1464) · 1455
Mei Qing (Chinese, 1623–1697) · 1690
Künstler · 1555
Künstler · 1800
Künstler · 1200
The bird is represented in pale ink, probably sketched in before the darker ink was used to finish the rock. Like the butterfly and moth above, his tail feathers echo the bamboo as well as the leaves and petals of the flowers. The Chinese wagtail can connote brotherly love. The daylily was used for various pharmaceutical purposes, especially for deadening pain in childbirth. It was also considered efficacious in relieving grief and aiding in the production of sons. The lily is in fact the real subject of this painting: it is the common symbol for motherly love. Hence, the lingering of the butterfly over a lily can signify a son's love, devotion, and yearning for his mother—the refuge from worldly woes.
Beobachtete Verkäufe: 0 · Vergleichsverkäufe: 0 · Provenienz: 4 · Ausstellungen: 5.