Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
The Lantern Night Excursion of Zhong Kui
late 1200s–early 1300s
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
Yang Shiqi 楊士奇 [1365–1444]
Provenance event
An Guo 安國 [1481–1534]
Provenance event
Xiang Yuanbian 項元汴 [1525–1590]
Provenance event
Geng Zhaozhong 耿昭忠 [1640–1686]
Provenance event
Pu Tong 溥侗 [1870–1952]
Provenance event
Tan Jing 譚敬 [1911–1991]
?–1961
(Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art)
Source provenance text
Yang Shiqi 楊士奇 [1365–1444] An Guo 安國 [1481–1534] Xiang Yuanbian 項元汴 [1525–1590] Geng Zhaozhong 耿昭忠 [1640–1686] Pu Tong 溥侗 [1870–1952] Tan Jing 譚敬 [1911–1991] (Frank Caro [1904–1980], New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959). Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961). The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974). Looking East: Yuan Dynasty Paintings. Taft Museum of Art, Cincinnati, OH (organizer) (September 15-November 6, 1976). Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). The Twain Shall Meet. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 30, 1985-January 5, 1986). Realm of the Immortals: Daoism in the Arts of China. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-April 10, 1988). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Masterpieces of Early Chinese Painting and Calligraphy in American Collections. Shanghai Museum, Shanghai, China (organizer) (November 1, 2012-January 3, 2013). Silent Poetry: Masterworks of Chinese Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 14, 2015-April 24, 2016). Demons, Ghosts, and Goblins in Chinese Art. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 8, 2024-January 20, 2025). Chinese Art Under the Mongols: The Yüan Dynasty, 1279-1368. The Cleveland Museum of Art, Cleveland, OH (October 1-November 24, 1968). Looking East. The Taft Museum, Cincinnati, OH (1976). Main Asian Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (July 23-October 27, 2003).
The Cleveland Museum of Artconfidence 100%
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Sourced Overview Evidence
Here, the demon queller Zhong Kui leads a nightly procession of street entertainers with bare, muscular bodies and demonic faces. Some wear shabby clothes, and all perform stunts and tricks to astound and scare the viewer. In fact, a New Year custom in cities of southeast China had the poor, disguised as demons, process through the streets and play their tricks to clear households of evil spirits and welcome the spring.<br><br>From right to left, a demonic figure leads the procession and beats a drum; another lifts a large rock; one stands on his hands trying to drink; one balances a jar on his elbow; three hold and wield weapons; one carries a folded chair covered by a cow’s skin; another holds Zhong Kui’s <em>qin</em> (zither), books, brush, and inkstone. At the end of the scroll, two figures offer a cup and bottle of wine to Zhong Kui, who lifts his hand in command.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 8 structured provenance events · 13 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line