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The Coronation of the Virgin with the Trinity
The Cleveland Museum of Art · Gift of the Hanna Fund
Museum

The Coronation of the Virgin with the Trinity

c. 1400
Master of Rubielos de Mora (Spanish) visual detail
ArtistMaster of Rubielos de Mora (Spanish)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
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Provenance

Public
Provenance event

Conde del Asalto, Madrid, Spain

including 1929

Heirs of Conde del Asalto

1938-1947

(Joseph Brummer, New York, NY, sold to the Cleveland Museum of Art)

1947-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Conde del Asalto, Madrid, Spain Heirs of Conde del Asalto (Joseph Brummer, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). Gothic Art 1360-1440. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 6-September 15, 1963).

The Cleveland Museum of Artconfidence 100%
Related public works

Visual neighbours

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Sourced Overview Evidence

The Coronation of the Virgin celebrates the culminating scene in the narrative cycle of the life of the Virgin. The subject follows Mary’s ascent into heaven after her death. Surrounded by a choir of music-making angels, the Virgin kneels to accept her crown from God and Christ. Completing the Trinity is the dove of the Holy Ghost touching its wings to their mouths. In this event, Mary takes on the role of the personification of the Church itself in her depiction as <em>Regina Coeli </em>or Queen of Heaven. The painter takes his name from an altarpiece in the church at Rubielos-de-Mora, Spain, though little is known about him. His style, featuring piercing eyes and protruding mouths with long slender fingers, is characteristic of Valencian art around 1400.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line