Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Bequest of John D. Rockefeller Jr.
Museum
Portrait of Catherine Grey, Lady Manners
1794
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public1794-1830
property of the artist, Sir Thomas Lawrence [1769-1830]
1831
(Christie's, London Sir Thomas Lawrence sale, June 18, 1831, no. 147, purchased by Samuel Woodburn)
1831-?
Samuel Woodburn; sold to Frederick John Fifth Baron Monson
?-1888
Frederick John, Fifth Baron Monson [died 1841], and his heirs, Gatton Park, Surrey; sold at Christie...
Provenance event
(Christie's, London, May 12, 1888, no. 21, sold to Davis)
1888
Davis
1888-?
William, Fifth Earl of Carysfort
Source provenance text
property of the artist, Sir Thomas Lawrence [1769-1830] (Christie's, London Sir Thomas Lawrence sale, June 18, 1831, no. 147, purchased by Samuel Woodburn) Samuel Woodburn; sold to Frederick John Fifth Baron Monson Frederick John, Fifth Baron Monson [died 1841], and his heirs, Gatton Park, Surrey; sold at Christie's, London (Christie's, London, May 12, 1888, no. 21, sold to Davis) Davis William, Fifth Earl of Carysfort Lady Carysfort; by descent to her nephew Douglas James Proby Colonel Douglas James Proby, Elton Hall, Huntingdonshire (Duveen Brothers) Jules S. Bach, New York John D. Rockefeller, Jr. [1874-1960]; by bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review (1961). The Cleveland Museum of Art, Cleveland, OH (organizer) (November 1-26, 1961). Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963). Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). The Swagger Portrait. Tate, London SW1P 4RG (organizer) (October 14, 1992-January 10, 1993). Masterpieces of European Painting from the Cleveland Museum of Art. Maltz Museum of Jewish Heritage, Beachwood, OH (March 29-July 8, 2007). Thomas Lawrence: Regency, Power & Brilliance. Yale Center for British Art, New Haven, CT (organizer) (February 24-June 5, 2011). British Gallery Reinstallation (June 2020). The Cleveland Museum of Art (organizer). Royal Academy, London, United Kingdom (1794). Woman and Child in Art. National Gallery, London, United Kingdom (1913-1914).
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Visual neighbours
Operating on Guan Yu's Arm
Katsushika Ōi (Japanese, c. 1800-after 1857) · 1840
The Coronation of the Virgin with the Trinity
Master of Rubielos de Mora (Spanish) · 1395
Birds Gather under the Spring Willow
Yin Hong (Chinese, c. 1430-c. 1500) · 1480
Hermes Ordering Calypso to Release Odysseus
Gerard de Lairesse (Flemish, 1641–1711) · 1665
Nur Jahan holding a portrait of Emperor Jahangir
Bishandas (Indian) · 1622
Sourced Overview Evidence
The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died. Though it offended Lady Manners, the painting displays all the hallmarks of Lawrence’s flamboyant style:dazzling, fluid brushwork and an innovative use of unconventional colors that helped secure his role as the most fashionable portrait painter in turn-of-the-century Britain.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 13 structured provenance events · 8 structured exhibitions.
Short DescriptionProvenance TextExhibition HistoryCredit LinePlace Of Origin