Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Edward L. Whittemore Fund
Museum
Text, Folio 46 (verso), from a Kalpa-sutra
c. 1500
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public?–1932
(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)
1932–
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Asia House, New York City, "Rajput Painting," Dec. 3, 1960-Jan. 22, 1961. Main Asian Rotation (Gallery 245); December 31, 2013 - June 30, 2014.
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Catalog neighbours
Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra
Unknown artist · 1495
Birth of Parshva, Folio 45 (recto), from a Kalpa-sutra
Unknown artist · 1495
Text, Folio 45 (verso), from a Kalpa-sutra
Unknown artist · 1495
Calligraphy of a Pious Invocation in Rhyme (verso)
Unknown artist · 1500
Calligraphy of Chaghatai Turkish Poems in Praise of Wine (verso)
Mirza Muhammad (probably Persian, active c. 1520s) · 1500
Sourced Overview Evidence
Parshva stands in a yogic posture of meditation, bearing the hardship of the elements, unmoved. When stormwaters threatened his life, serpents shielded him so that he could complete his meditations and reach liberation. One cobra stretched his seven-hooded canopy over his head like an umbrella, while a serpent king and his wife praise him. The abstract gold lines on the blue background represent the waters that rose to the level of his shoulders. In this painting, the image of Parshva wears a white lower garment, which indicates that this manuscript was made for the prominent branch of Jainism that allows monks and nuns to wear white robes.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 0 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line