Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of Harry D. Kendrick
Museum
Spring
c. 1720–36
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public1736-1741
Probably Victor-Amédée, prince de Carignan [1690-1741], Paris, France
1741-1743
Held in trust by the Estate of the prince de Carignan
Until 1910
Mantacheff collection, St. Petersburg, sold to Wildenstein & Co
Probably 1910-1928
(Wildenstein & Co., Paris, France, sold to Henry G. Dalton)
Probably c. 1928-1939
Henry G. Dalton [1862-1939], Cleveland, OH, by descent to his nephew, Harry D. Kendrick
Probably 1939-1951
Harry D. Kendrick [1894-1958], Cleveland, OH, given to the Cleveland Museum of Art
1951-
The Cleveland Museum of Art, Cleveland, Ohio
Source provenance text
Probably Victor-Amédée, prince de Carignan [1690-1741], Paris, France Held in trust by the Estate of the prince de Carignan Mantacheff collection, St. Petersburg, sold to Wildenstein & Co (Wildenstein & Co., Paris, France, sold to Henry G. Dalton) Henry G. Dalton [1862-1939], Cleveland, OH, by descent to his nephew, Harry D. Kendrick Harry D. Kendrick [1894-1958], Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, Ohio
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Claude to Corot: The Development of Landscape Painting in France, Colnaghi Gallery, New York, NY (November 1-December 15, 1990).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
<em>Spring</em> and <em>Summer</em> are two scenes from a four-season series. These landscapes were originally a part of a screen or a decorative panel, indicated by their floral borders and oval shape. The setting of <em>Spring</em> is believed to be the grounds of Montmorency, the country estate of Pierre Crozat (1665–1740), a wealthy financier and art collector in early eighteenth-century Paris. <em>Summer</em> counters <em>Spring</em>'s aristocratic leisure by depicting rural labor. Befitting the work's decorative origins, however, Pater's scene belongs to the tradition of the timeless pastoral. More idyllic than a statement about class differences, the reapers peacefully gather sheaves of wheat as shepherds rest with their flocks in the foreground.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 7 structured provenance events · 0 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line