Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
Raja Dilip Singh of Guler on a dais
c. 1707
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public?–1960
(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)
1960–
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review - Nineteen Hundred Sixty. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961). Rajput Painting. The Asia Society Museum, New York, NY (organizer) (November 30, 1960-January 22, 1961). Indian Gallery 242 Rotation – April-November 2018. The Cleveland Museum of Art (organizer) (April 2-November 18, 2018). Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (September 10, 2018-April 7, 2019). Pahari Paintings: Art and Stories. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 18-August 23, 2026).
The Cleveland Museum of Artconfidence 100%
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Sourced Overview Evidence
Dilip Singh (reigned 1695–1741) holds a manuscript page with alternating lines of red and black ink, which may be a sacred text that announces his devotion to the Hindu god Vishnu, whose mark appears on his forehead. He inaugurated the practice of commissioning paintings and manuscripts for the royal collection at Guler. Some members of a family of artists of Guler had worked in the Mughal imperial workshop in Lahore in present-day Pakistan. They brought a vision of naturalism and delicate refinement evident in the trees, his facial features, Mughal-style belted tunic, and carpet with floral patterns.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 5 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line