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Samantabhadra
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Samantabhadra

1100s

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
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Provenance

Public
?–1962

(Osborne I. Hauge [1913–2004] and Victor L. Hauge [1919–2013], Falls Church, VA, sold to the Clevela...

1962–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Osborne I. Hauge [1913–2004] and Victor L. Hauge [1919–2013], Falls Church, VA, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992). Facing the Ancestors: Chinese Portraits and Figure Painting – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (August 12, 2019-February 2, 2020). Exhibited with CMA material at reopening of Museum. The Cleveland Museum of Art, Cleveland, OH (1958). Southern Sung. Asia House Gallery, New York, NY (1962). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (October 29, 2003-March 15, 2004).

The Cleveland Museum of Artconfidence 100%
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Sourced Overview Evidence

In the last chapter of the Lotus Sutra, one of the principal Buddhist texts, the great Bodhisattva Samantabhadra is described advancing to earth, riding on a six-tusked elephant, and proclaiming himself protector of the faithful. More frequently, he is shown with Bodhisattva Manjusri as the attendants of Shakyamuni (the historical Buddha). This scroll is probably the left panel in a triptych (group of three paintings) portraying these deities.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 4 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line