Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of Grace Rainey Rogers in memory of her father, William J. Rainey
Museum
A Boy in a Red-lined Cloak
1780s
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicBy 1860-1880
Hippolyte Walferdin [1795-1880], Paris, France
April 12-14, 1880
(Sale: Hôtel Drouot, Paris, France, Walferdin sale, April 12-14, 1880, no. 4)
1880-
Comte Cahen d’Anvers, probably Edouard [1832-1894]
Provenance event
Nicolas Ambatielos [1885-1956], London, England
1905-1920
(Wildenstein & Co., New York, NY)
-1942
Grace Rainey Rogers [1867-1943], New York, NY, given to the Cleveland Museum of Art
1942-
The Cleveland Museum of Art, Cleveland, Ohio
Source provenance text
Hippolyte Walferdin [1795-1880], Paris, France (Sale: Hôtel Drouot, Paris, France, Walferdin sale, April 12-14, 1880, no. 4) Comte Cahen d’Anvers, probably Edouard [1832-1894] Nicolas Ambatielos [1885-1956], London, England (Wildenstein & Co., New York, NY) Grace Rainey Rogers [1867-1943], New York, NY, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, Ohio
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Style, Truth and the Portrait. The Cleveland Museum of Art, Cleveland, OH (October 1-November 19, 1963). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). Tableux et dessins de l' école française, prinipalement du XVIIIe siècle, tirées de collections d'amateurs et exposés au profit de la caisse de secours des artistes, peintres, scupteurs, architectes et dessinateurs, Paris, France (1860).
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Visual neighbours
Squirrels on the Chestnut Tree
Ge Shuying (Chinese, active 1300s) · 1300
The Red Kerchief
Claude Monet (French, 1840–1926) · 1868
Portrait of Jean Terford David
Thomas Sully (American, born England, 1783–1872) · 1813
Portrait of a Man, Possibly Girolamo Rosati
Lorenzo Lotto (Italian, 1480–1556) · 1533
Portrait of a Woman, Possibly a Novice of San Secondo
Jacometto Veneziano (Italian, 1497) · 1485
Sourced Overview Evidence
In the course of his long career, Fragonard produced more than 550 paintings. In this particular painting, the seventeenth-century costume, the brown palette, and his technique suggest that Fragonard is reflecting upon the work of Peter Paul Rubens and Rembrandt rather than his teacher François Boucher. While there is considerable evidence that the sitter is Alexander Evariste Fragonard, the artist's son, this identity has never been confirmed.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 7 structured provenance events · 2 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line