Antiochus and Stratonice
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Antiochus and Stratonice

c. 1838
Jean-Auguste-Dominique Ingres (French, 1780–1867) visual detail
ArtistJean-Auguste-Dominique Ingres (French, 1780–1867)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
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Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
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Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

Ingres estate sale, Paris, Drouot, 27 April 1867 (lot 6), Stratonice, Répétition presque terminée du...

Source provenance text

Ingres estate sale, Paris, Drouot, 27 April 1867 (lot 6), Stratonice, Répétition presque terminée du même sujet [Stratonice], 1834, ff 4,220. Mme Ingres. Louis Bazille, Montpellier (1870). Pierre Leenhardt, Paris sale, Georges Petit, 4 May 1922 (lot 29, repr.), Stratonice, ou la maladie d'Antiochus. Alphonse Kann, Paris. Seized by the Germans in 1941. Recovered after WWII. Sold by Kann's heirs. Anonymous sale, Paris, Galerie Charpentier, 12 May 1950 (lot 30, repr.), Stratonice, ou la maladie d'Antiochus. Jacques Seligmann, New York. Purchased by the cma on 3 January 1966.

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Exhibitions

Public
Source exhibition text

Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966). Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections. Fogg Art Museum/Harvard University, Cambridge, MA (organizer) (February 12-April 9, 1967). The Last Days of Pompeii: Decadence, Apocalypse, Resurrection. Getty Villa, Pacific Palisades, CA (September 12, 2012-January 7, 2013); The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-July 7, 2013). London, New Burlington Galleries. Exhibition of Masters of French 19th Century Painting (1936), no. 1, lent by Alphonse Kann. Cambridge, Mass., Fogg Art Museum. Ingres Centennial Exhibition 1867-1967 (1967), no. 78, 79 (repr.). New York, Frick Collection. Ingres and the Comtesse d'Haussonville (1985-86), no. 55, 72-76 (repr.). Getty Villa (9/12/2012 - 1/7/2013), The Cleveland Museum fo Art (2/24/2013 - 5/19/2013), Musée des Beaux-Arts, Québec (6/13/2013 - 9/8/2013): "The Last Days of Pompeii: Decadence, Apocalypse, Resurrection" The Cleveland Museum of Art (09/ 12/2012 - 01/07/2013 Getty Villa Malibu, CA; 02/24/2013 - 07/07/2013 Cleveland Museum of Art); "The Last Days of Pompeii: Decadence, Apocalypse, Resurrection"

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Related public works

Visual neighbours

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Sourced Overview Evidence

Struck by a mysterious illness, Antiochus lies in bed near death. His grieving father, who has recently taken Stratonice as his wife, summons a doctor. Noticing that the sight of the young woman quickens Antiochus’s pulse and that passion causes his sickness, the doctor describes the youth’s predicament to his father, who selflessly offers Stratonice to his son. The subject, both a love story and an example of parental devotion, enjoyed considerable popularity well into the 1800s.

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Evidence state

0 observed sales · 0 comparable sales · 1 structured provenance events · 3 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line