رجوع
View of Schroon Mountain, Essex County, New York, After a Storm
The Cleveland Museum of Art · Hinman B. Hurlbut Collection
Museum

View of Schroon Mountain, Essex County, New York, After a Storm

1838
Thomas Cole (American, born England,1801–1848) visual detail
الفنانThomas Cole (American, born England,1801–1848)
عرض الفنان ←

تحليلات السوق

تُعرض سجلات المبيعات المرصودة وبيانات المبيعات المقارنة وتاريخ مؤشر الفنان والأبحاث القائمة على النماذج كلٌّ على حدة.

أدلة عامة
آخر سعر معروف—0 matched observed sales
الوسيط المرصود—
المبيعات المرصودة0
مؤشر الفنان—
لا يرتبط بهذا العمل بيع مرصود موحد ومصرح باستخدامه. لا يُعرض تاريخ أسعار مصطنع.
مؤشر الفنان غير متاحلا يوجد حساب عام مكتمل لمؤشر الفنان.سياق الفنان ليس تقييمًا لقيمة العمل.

المبيعات المقارنة

مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.

مرتبة بحسب الأدلة
لا توجد مبيعات مقارنة ذات حقوق عامة تستوفي معايير الأدلة الحالية. لا تملأ RELICT الجدول بوقائع مخصصة للبحث أو للوصول المرخص فقط.

سجل المنشأ والملكية

عام
1838

Dr. George Ackerly [d. 1842], New York, NY, to his daughter, Emma Ackerly1

By `839 - `847

Emma Ackerly

1847-

Jonathan G. and Emma Ackerly Chapman, sold to Nicholas Matthews1

Until 1914

Nicholas M. Matthews [1858-1930], Baltimore, MD

1914

(American Art Association, Matthews collection sale, Feb. 17, 1914, no. 61, possibly sold to T. Aust...

1914-1916

Possibly T. Austin

1916

(Anderson Galleries, New York, NY, Matthews collection sale, Jan. 17, 1916, no. 55, sold to Holland...

نص تاريخ الملكية من المصدر

Dr. George Ackerly [d. 1842], New York, NY, to his daughter, Emma Ackerly1 Emma Ackerly Jonathan G. and Emma Ackerly Chapman, sold to Nicholas Matthews1 Nicholas M. Matthews [1858-1930], Baltimore, MD (American Art Association, Matthews collection sale, Feb. 17, 1914, no. 61, possibly sold to T. Austin) Possibly T. Austin (Anderson Galleries, New York, NY, Matthews collection sale, Jan. 17, 1916, no. 55, sold to Holland Galleries) (Holland Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, Ohio

The Cleveland Museum of Artالموثوقية 100%

المعارض

عام
نص المعارض من المصدر

A Century of American Landscape Painting 1800-1900. Whitney Museum of American Art, New York, NY (organizer) (co-organizer) (January 19-February 25, 1938). A Souvenir of Romanticism in America; or An Elegant Exposition of Taste and Fashion from 1812-to 1865. The Baltimore Museum of Art, Baltimore, MD (organizer) (co-organizer) (May 10-June 10, 1940). Survey of American Painting. Carnegie Museum of Art, Pittsburgh, PA (co-organizer) (October 24-December 15, 1940). The Works of Thomas Cole, 1801-1848. Albany Institute of History and Art, Albany, NY (organizer) (co-organizer) (November 1-December 15, 1941). The Hudson River School and the Early American Landscape Tradition. The Art Institute of Chicago, Chicago, IL (organizer) (co-organizer) (February 15-March 25, 1945); Whitney Museum of American Art, New York, NY (April 17-May 18, 1945). Thomas Cole 1801-1848 One Hundred Years Later: A Loan Exhibition. Wadsworth Atheneum Museum of Art, Hartford, CT (organizer) (co-organizer) (November 12, 1948-January 2, 1949); Whitney Museum of American Art, New York, NY (January 8-30, 1949). Exhibition of the Month: The Romantic Spirit. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 29-May 5, 1952). Arts of the Young Republic: The Age of William Dunlap. Ackland Art Museum, University of North Carolina, Chapel Hill, NC, Chapel Hill, NC (organizer) (co-organizer) (November 2-December 1, 1968). Thomas Cole. Memorial Art Gallery of the University of Rochester, NY (organizer) (co-organizer) (February 14-March 23, 1969); Munson Museum of Art, Utica, NY (April 5-May 4, 1969); Albany Institute of History and Art, Albany, NY (May 9-June 20, 1969); Whitney Museum of American Art, New York, NY (June 30-September 1, 1969). Heritage and Horizon: American Painting 1776 - 1976. Buffalo AKG Art Museum, Buffalo, NY (organizer) (March 7-April 11, 1976); The Detroit Institute of Arts, Detroit, MI (May 2-June 13, 1976); The Toledo Museum of Art, Toledo, OH (July 4-August 15, 1976); The Cleveland Museum of Art, Cleveland, OH (September 8-October 10, 1976). Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982). A New World: Masterpieces of American Painting, 1760 - 1910. Museum of Fine Arts, Boston, Boston, MA (organizer) (co-organizer) (September 7-November 13, 1983); Corcoran Gallery of Art, Washington, DC (December 7, 1983-February 12, 1984). American Paradise: The World of the Hudson River School. The Metropolitan Museum of Art, New York, NY (organizer) (co-organizer) (October 4, 1987-January 3, 1988). A Nation's Legacy: 150 Years of American Art from Ohio Collections. Columbus Museum of Art, Columbus, OH (organizer) (co-organizer) (January 19-March 15, 1992). Landscape Into History. National Museum of American Art, Washington, DC (organizer) (co-organizer) (March 18-August 7, 1994); Wadsworth Atheneum Museum of Art, Hartford, CT (September 11-December 4, 1994); The Brooklyn Museum, Brooklyn, NY (January 8-March 25, 1995). Thirteenth Annual Exhibition of the National Academy of Design. National Academy of Design, New York, NY (April 23, 1838-?). Dunlap Benefit Exhibition. Stuyvesant Institute, New York, NY (November 19-December 1838). January Exhibition of the Apollo Association for the Promotion of the Fine Arts in the United States. Apollo Gallery, New York, NY (1839). Exhibition of the Paintings of the Late Thomas Cole, At the Gallery of the American Art-Union. Gallery of the American Art-Union. New York, NY (March 27 1848-?). Maryland Historical Society, Second Annual Exhibition. The Picture Gallery, Baltimore, MD (1849). Lent by J.S. Chapman. The Inaugural Exhibition. Cleveland Museum of Art, Cleveland, OH (June 6-September 20, 1916). Lent by the Holland Galleries.

The Cleveland Museum of Artالموثوقية 100%
أعمال عامة مرتبطة

أعمال قريبة في الكتالوج

استكشف الكتالوج ←

نظرة عامة موثقة بالمصادر الأدلة

Championing the American wilderness, Cole declared, "We are still in Eden," in his <em>Essay on American Scenery, </em>published two years before he painted this view of the Adirondacks. The artist sketched the scene in early summer, but when he created the painting in his studio, he rendered it in a dramatic blaze of fall colors. Such a choice likely had nationalistic overtones; he once proclaimed that autumn was "one season where the American forest surpasses all the world in gorgeousness." <br><br>Cole included two Indigenous men in the painting’s right foreground foliage. At this time, the Adirondacks remained home to many Native Americans long after most had been forcibly removed from land east of the Mississippi River. While continuing to live, hunt, and fish in the area, these Algonquian and Iroquoian peoples were compelled to significantly adapt their existence amid increasing White settlement and its attendant lumber, mining, and tourist industries.

The Cleveland Museum of Artالموثوقية 100%

حالة الأدلة

المبيعات المرصودة: 0 · المبيعات المقارنة: 0 · سجل المنشأ والملكية: 9 · المعارض: 15.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line