المبيعات المقارنة
مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.
تُعرض سجلات المبيعات المرصودة وبيانات المبيعات المقارنة وتاريخ مؤشر الفنان والأبحاث القائمة على النماذج كلٌّ على حدة.
مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.
Andrew Nicholas Jergens [1881–1967], Cincinnati, OH
Elizabeth Marie Jergens [born 1950], Los Angeles, CA, by inheritance
[Spanierman Gallery, New York, NY, consigned by 1980]
Richard Manoogian [born 1936] and Jane Cameron Manoogian [born 1943], Grosse Pointe Park, MI, purcha...
[Jonathan Boos, New York, NY, consigned in 2014]
The Cleveland Museum of Art, Cleveland, OH, purchased in 2014
Andrew Nicholas Jergens [1881–1967], Cincinnati, OH Elizabeth Marie Jergens [born 1950], Los Angeles, CA, by inheritance [Spanierman Gallery, New York, NY, consigned by 1980] Richard Manoogian [born 1936] and Jane Cameron Manoogian [born 1943], Grosse Pointe Park, MI, purchased in 1980 [Jonathan Boos, New York, NY, consigned in 2014] The Cleveland Museum of Art, Cleveland, OH, purchased in 2014
Robert S. Duncanson: A Centennial Exhibition, Cincinnati Art Museum, March 16-April 30, 1972. American Paintings from the Manoogian Collection. National Gallery of Art, Washington, DC (June 4-September 4, 1989); M.H. de Young Memorial Museum, San Francisco, CA (September 23-November 26, 1989); Metropolitan Museum of Art, New York, NY (December 18, 1989-February 25, 1990); Detroit Institute of Arts, Detroit, MI (March 27-May 27, 1990). Lifting the Veil: Robert S. Duncanson and the Emergence of the African American Artist. Cincinnati Art Museum and Taft Museum, Cincinnati, OH (September 15--November 26, 1995); Washington University Gallery of Art, St. Louis, MO (January 26--March 31, 1996); Amon Carter Museum, Ft. Worth,TX (April 20--June 16, 1996); Hammonds House Gardens and Clark Atlanta University Art Gallery, Atlanta, GA (July 19--September 15, 1996). Long Term Loan. Detroit Institute of Arts, Detroit, MI (October 2007-June 2009). Bold, Cautious, True: Walt Whitman and the American Art of the Civil War Era. The Dixon Gallery and Gardens, Memphis, TN (July 5-October 4, 2009); Katonah Museum of Art, Katonah, NY (October 18, 2009-January 24, 2010); The Virginia Museum of Fine Arts, Richmond, VA (June 2-August 26, 2012). Long Term Loan. Yale University Art Gallery, New Haven, CT (December 12, 2012-January 2014).

Jiao Bingzhen (Chinese, active c. 1670–1726) · 1717

Rockwell Kent (American, 1882–1971) · 1907

George Luks (American, 1866–1933) · 1907

Yi Taek-gyun (Korean, 1808–after 1883) · 1875

Ike Taiga (Japanese, 1723–1776) · 1740
Cincinnati-based Duncanson was the first African American artist to achieve recognition both nationally and abroad. This panoramic painting, one of his grandest, was inspired by an episode in Thomas Moore’s then-popular epic poem, <em>Lalla-Rookh</em> (1817), which describes a Persian princess’s journey to the Indian subcontinent to be married. In Duncanson’s conception, members of a courtly entourage depart a quasi-Islamic palace, arriving by boat onto a scrim of land where they ascend a monumental staircase to a plaza with a fountain spraying an impressive plume of water. Despite these substantial storytelling details, the human elements remain subordinate to the overwhelming splendor of the natural landscape in and of itself.
المبيعات المرصودة: 0 · المبيعات المقارنة: 0 · سجل المنشأ والملكية: 6 · المعارض: 0.