رجوع
The Holy Family with Saint John the Baptist and Saint Margaret
The Cleveland Museum of Art · The Delia E. Holden Fund and a fund donated as a memorial to Mrs. Holden by her children: Guerdon S. Holden, Delia Holden White, Roberta Holden Bole, Emery Holden Greenough, Gertrude Holden McGinley
Museum

The Holy Family with Saint John the Baptist and Saint Margaret

c. 1488–93
Filippino Lippi (Italian, c. 1457–1504) visual detail
الفنانFilippino Lippi (Italian, c. 1457–1504)
عرض الفنان ←

تحليلات السوق

تُعرض سجلات المبيعات المرصودة وبيانات المبيعات المقارنة وتاريخ مؤشر الفنان والأبحاث القائمة على النماذج كلٌّ على حدة.

أدلة عامة
آخر سعر معروف—0 matched observed sales
الوسيط المرصود—
المبيعات المرصودة0
مؤشر الفنان—
لا يرتبط بهذا العمل بيع مرصود موحد ومصرح باستخدامه. لا يُعرض تاريخ أسعار مصطنع.
مؤشر الفنان غير متاحلا يوجد حساب عام مكتمل لمؤشر الفنان.سياق الفنان ليس تقييمًا لقيمة العمل.

المبيعات المقارنة

مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.

مرتبة بحسب الأدلة
لا توجد مبيعات مقارنة ذات حقوق عامة تستوفي معايير الأدلة الحالية. لا تملأ RELICT الجدول بوقائع مخصصة للبحث أو للوصول المرخص فقط.

سجل المنشأ والملكية

عام
c. 1488-93–1511

Presumably commissioned by Cardinal Oliviero Carafa (1430–1511), Rome

1511–

Presumably in Carafa collections by descent, Rome and Naples

by 1815

Palazzo Santangelo (formerly Palazzo Diomede Carafa until 1814), Naples

1898–1901

Acquired at Palazzo Diomded Carafa or at Villa Santangelo, Pollena, from the Santangelo family and I...

1901–1928

By descent to Cornelia, Edward, Fiske, and Samuel Warren in Boston and Lewes House, East Sussex, Uni...

1928–1929

Bequeathed to H. Asa Thomas by Edward Warren (1860–1928)

1929

Sold by H. Asa Thomas through Harold Woodbury Parsons to the Cleveland Museum of Art

نص تاريخ الملكية من المصدر

Presumably commissioned by Cardinal Oliviero Carafa (1430–1511), Rome Presumably in Carafa collections by descent, Rome and Naples Palazzo Santangelo (formerly Palazzo Diomede Carafa until 1814), Naples Acquired at Palazzo Diomded Carafa or at Villa Santangelo, Pollena, from the Santangelo family and Ignazio Virzì by Bernardo Berenson and Edward Perry Warren for Susan Cornelia Clarke (Mrs. Samuel Dennis Warren Sr.) (1825–1901), Boston By descent to Cornelia, Edward, Fiske, and Samuel Warren in Boston and Lewes House, East Sussex, United Kingdom Bequeathed to H. Asa Thomas by Edward Warren (1860–1928) Sold by H. Asa Thomas through Harold Woodbury Parsons to the Cleveland Museum of Art The Cleveland Museum of Art

The Cleveland Museum of Artالموثوقية 100%

المعارض

عام
نص المعارض من المصدر

The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Classic to Baroque: A Style Change in the Arts. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 30-November 13, 1949). Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962). Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971). Filippino Lippi and Rome. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 26, 2025-February 22, 2026). Special Exhibition of Paintings from the Collection of the Late Mrs. S.D. Warren, Museum of Fine Arts, Boston, MA (April 1902). Exhibition of Old Masters, Royal Academy, Burlington House, London (January 4–March 12, 1904).

The Cleveland Museum of Artالموثوقية 100%
أعمال عامة مرتبطة

أعمال متقاربة بصريًا

استكشف الكتالوج ←

نظرة عامة موثقة بالمصادر الأدلة

This monumental tondo, among Filippino’s most significant works, was commissioned by Neapolitan cardinal Oliviero Carafa, a leading political and ecclesiastical figure. The painter’s ingenious composition harmoniously overlaps five brilliantly colored divine figures within the challenging circular format. Behind a low wall adorned with sacred and domestic objects, Joseph observes the intertwined group of Mary holding Christ, who embraces his cousin John the Baptist, supported by Saint Margaret. Created during Filippino’s Roman years (1488–93), the painting reflects the inspiration he drew from ancient art. The preparatory drawing reveals how he reimagined Greco-Roman figures—his sketch of an antique Venus statue was refashioned into Saint Margaret—while the weathered pier references remnants of ancient architectural and decorative motifs, illustrating Filippino’s deep engagement with the fragments of antique murals, sculpture, and architecture throughout the city.

The Cleveland Museum of Artالموثوقية 100%

حالة الأدلة

المبيعات المرصودة: 0 · المبيعات المقارنة: 0 · سجل المنشأ والملكية: 8 · المعارض: 5.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line