Mme. Dufresne
The Cleveland Museum of Art · Severance and Greta Millikin Collection
Museum

Mme. Dufresne

c. 1816
Pierre-Paul Prud'hon (French, 1758–1823) visual detail
الفنانPierre-Paul Prud'hon (French, 1758–1823)
عرض الفنان ←

تحليلات السوق

تُعرض سجلات المبيعات المرصودة وبيانات المبيعات المقارنة وتاريخ مؤشر الفنان والأبحاث القائمة على النماذج كلٌّ على حدة.

أدلة عامة
آخر سعر معروف—0 matched observed sales
الوسيط المرصود—
المبيعات المرصودة0
مؤشر الفنان—
لا يرتبط بهذا العمل بيع مرصود موحد ومصرح باستخدامه. لا يُعرض تاريخ أسعار مصطنع.
مؤشر الفنان غير متاحلا يوجد حساب عام مكتمل لمؤشر الفنان.سياق الفنان ليس تقييمًا لقيمة العمل.

المبيعات المقارنة

مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.

مرتبة بحسب الأدلة
لا توجد مبيعات مقارنة ذات حقوق عامة تستوفي معايير الأدلة الحالية. لا تملأ RELICT الجدول بوقائع مخصصة للبحث أو للوصول المرخص فقط.

سجل المنشأ والملكية

عام
c. 1816 - 1823

Studio of the artist

Probably 1823 - 1838

Charles Boulanger de Boisfremont [1773-1838], probably bequeathed to his daughter, Henri Power

Probably 1838 - 1864

Probably Henri Power [d. 1864], probably to Charles Boulanger de Boisfremont fils

Probably 1864 - 1870

Probably Charles Boulanger de Boisfremont fils

1870

(Boisfremont fils sale, Hôtel Drouot, Paris, April 9, 1870, no. 8, sold to Monsieur de Norzy)

1870 - by 1874

Monsieur de Norzy

By 1874

M. Jeanne-Deslandes

نص تاريخ الملكية من المصدر

Studio of the artist Charles Boulanger de Boisfremont [1773-1838], probably bequeathed to his daughter, Henri Power Probably Henri Power [d. 1864], probably to Charles Boulanger de Boisfremont fils Probably Charles Boulanger de Boisfremont fils (Boisfremont fils sale, Hôtel Drouot, Paris, April 9, 1870, no. 8, sold to Monsieur de Norzy) Monsieur de Norzy M. Jeanne-Deslandes (Sale, Hôtel Drouot, Paris, April 24, 1886, no. 52) Collection Henri Rochefort [1831-1913], Paris Paul-Arthur Chéramy [1840-1912], Paris (Chéramy sale, Galerie Georges Petit, Paris, May 5-7, 1908, no. 95, bought in) Probably Paul-Arthur Chéramy [1840-1912], Paris (Chéramy estate sale, Hôtel Drouot, Paris, April 14-16, 1913, no. 391, sold to Jacob) Jacob David David-Weill [1871-1952], Paris Irwin Laughlin [1871-1941], Washington, D.C. (Laughlin sale, Sotheby's, London, June 10, 1959, lot 123, possibly sold to Betts on behalf of Clifford Duits) Severance A. [1895-1989] and Greta Millikin [1903-1989], Cleveland, OH, given to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artالموثوقية 100%

المعارض

عام
نص المعارض من المصدر

The Severance and Greta Millikin Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 5-September 2, 1990). Pierre Paul Prud'hon. The Metropolitan Museum of Art (organizer) (March 2-June 8, 1998). Paris, École des Beaux-Arts. Exposition des oeuvres de Prud'hon (1874), no. 11, Portrait de Mme Dufresne, femme d'un marchand de tableaux, appartient à M. Jeanne-Deslandes. Paris, École des Beaux-Arts. Exposition de tableaux de maîtres anciens au profit des inondés du Midi (1887), no. 119, Portrait de jeune femme, appartient à Henri Rochefort. Paris, Palais des Beaux-Arts. Exposition P.-P. Prud'hon (1922), no. 65, Portrait de Mme Dufresne, collection de David Weill. New York, Wildenstein & Co. David-Weill Pictures (1937), no. 44, Mme Dufrene [sic]. CMA. Catalogue of the Severance and Greta Millikin Collection (1990), no. 220. Paris, Grand Palais; New York, Metropolitan Museum of Art. Prud'hon ou le rêve du bonheur (1997-98), 281-83 (repr.). Text by Sylvain Laveissière (French and English eds.)

The Cleveland Museum of Artالموثوقية 100%

نظرة عامة موثقة بالمصادر الأدلة

The artist made this sketch in preparation for a full-length portrait of Madame Dufresne that is now lost. Prud'hon showed the sitter—probably the wife of an art dealer—in a landscape where she is seated in a relaxed pose with her legs crossed. According to an early auction record, the composition is based upon one of several sketches Prud'hon made for a portrait of Empress Josephine (1763–1814). The empress probably rejected the pose as too casual. Prud'hon's portraits show his skill in capturing emotions, especially melancholy. This is true of the Cleveland portrait; despite its rough surface, we sense the sitter's gentle demeanor and slightly wistful expression. In 1789 Prud'hon was awarded the Prix de Rome, a scholarship that allowed especially gifted French art students the chance to study in Rome. While in Italy, Prud'hon was deeply influenced not only by ancient Roman art but also by the lively, international Neoclassical movement that was centered there. After his return to France, the artist became very popular with Napoleon, painting portraits of the emperor and his entourage and acting as Empress Josephine's drawing instructor.

The Cleveland Museum of Artالموثوقية 100%

حالة الأدلة

المبيعات المرصودة: 0 · المبيعات المقارنة: 0 · سجل المنشأ والملكية: 19 · المعارض: 2.

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