المبيعات المقارنة
مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.
تُعرض سجلات المبيعات المرصودة وبيانات المبيعات المقارنة وتاريخ مؤشر الفنان والأبحاث القائمة على النماذج كلٌّ على حدة.
مبيعات معلنة لأعمال الفنان نفسه، مرتّبة بحسب الخامة والتقنية وسنة إنجاز العمل وأبعاده وتاريخ بيعه.
Theodor Stroefer [1843-1927], Nürnberg
Family of Theodor Stroefer, Nürnberg
(Julius Böhler, Munich, Stroefer sale, Oct. 28, 1937, no. 122 [13,000 Reichsmarks, sold to Curt Bohn...
Curt Bohnewand [1888-1966], Berlin and Rottach-Egern, Germany1
(Kunsthaus Lempertz, Cologne, Bohnewand sale, March 28, 1969, no. 25, probably sold to Schaeffer Gal...
(Schaeffer Galleries, New York, NY, sold to the Cleveland Museum of Art)
The Cleveland Museum of Art, Cleveland, Ohio
Theodor Stroefer [1843-1927], Nürnberg Family of Theodor Stroefer, Nürnberg (Julius Böhler, Munich, Stroefer sale, Oct. 28, 1937, no. 122 [13,000 Reichsmarks, sold to Curt Bohnewand)1 Curt Bohnewand [1888-1966], Berlin and Rottach-Egern, Germany1 (Kunsthaus Lempertz, Cologne, Bohnewand sale, March 28, 1969, no. 25, probably sold to Schaeffer Galleries) (Schaeffer Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, Ohio
Year in Review: 1971. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1971-February 6, 1972). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 17, 2010-January 17, 2011).

Georgia O'Keeffe (American, 1887–1986) · 1926

Édouard Vuillard (French, 1868–1940) · 1894

الفنان · 1465

Geertgen tot Sint Jans (Netherlandish, c. 1460-c. 1490) · 1480

الفنان · 1600
Although this spacious church interior is largely imaginary, Emanuel de Witte’s precise description of architectural forms convinces us that he depicted an actual place. To create a sense of familiarity, he included some specific architectural features from the Oude Kerk (Old Church) in Amsterdam. In the late 1500s, militant Protestant sects occupied Catholic churches in the Netherlands and stripped them of rich decorations and “idolatrous” images. The resulting spare, whitewashed interiors became a favorite subject of Dutch artists, who were intrigued by the interplay of light and shadow over the unadorned walls, and by the challenge of depicting perspectival space.
المبيعات المرصودة: 0 · المبيعات المقارنة: 0 · سجل المنشأ والملكية: 7 · المعارض: 3.