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Yang Guifei Leaving the Bath
The Cleveland Museum of Art · Gift of The MCH Foundation
Museum

Yang Guifei Leaving the Bath

1700s
Gu Jianlong (Chinese, 1606–after 1689) visual detail
ArtistGu Jianlong (Chinese, 1606–after 1689)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

Mrs. Becker, suburban Kansas City, by descent to her son, Paul Becker

Provenance event

Paul Becker, sold to Alan Kennedy Ltd.

?–2017

(Alan Kennedy Ltd., sold to the MCH Foundation)

2017

MCH Foundation, gift to the Cleveland Museum of Art

2017–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Mrs. Becker, suburban Kansas City, by descent to her son, Paul Becker Paul Becker, sold to Alan Kennedy Ltd. (Alan Kennedy Ltd., sold to the MCH Foundation) MCH Foundation, gift to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

The Splendor of Chinese Silk – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (February 5-August 12, 2018). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

This painting relates to the legendary love story between Tang dynasty (618–906) emperor Xuanzong and his consort, the beautiful Yang Guifei. Set in what appears to be an 18th-century southern interior, the artist depicts Yang Guifei in a fashionable dress of semitransparent red gauze. Due to the warm and humid climate in China’s southeast, local silk workshops specialized and excelled in making airy gauze garments. Yang’s nude body can be seen through the red robe as she leaves the bath. Her servant offers her a bowl of soup. The presence of a male figure would have been a breach of customary protocol; cross-dressed as a male scholar, the earrings reveal that Yang’s attendant is in fact a girl.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 5 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line