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Water-Moon Kannon (Suigetsu Kannon)
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Water-Moon Kannon (Suigetsu Kannon)

1868–1912

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?–1992

(London Gallery, Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art)

1992–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(London Gallery, Ltd., Tokyo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Selected Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 9-April 11, 1993). Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (February 8-August 11, 2019). Main Asian Rotation (Gallery 119). The Cleveland Museum of Art, Cleveland, OH (July 16-October 28, 2003).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Kannon represents a primary figure of benevolence and compassion in the Buddhist pantheon. Identified early in Buddhist texts as a close attendant to the Buddha, by the 700s Kannon's popularity soared to such an extent in China, Korea, and Japan that the bodhisattva was often worshipped independently. Here at the lower left, Kannon is depicted with the child Zenzai Dōji (Sakskrit: Sudhana), a wealthy boy who, according to the final chapter of the <em>Flower Garland Sutra</em>, visited Kannon's abode Fudaraka (Sanskrit: Potalaka) during a long journey to learn the bodhisattva path.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line