Virgin and Child
The Cleveland Museum of Art · Holden Collection
Museum

Virgin and Child

late 1430s
Rossello di Jacopo Franchi (Italian, c.1376–1457) visual detail
ArtistRossello di Jacopo Franchi (Italian, c.1376–1457)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

James Jackson Jarves (1884). Mrs. Liberty E. Holden, Cleveland.

Source provenance text

James Jackson Jarves (1884). Mrs. Liberty E. Holden, Cleveland.

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Inaugural Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 6-September 20, 1916). The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Florence and the Arts: Five Centuries of Patronage. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 13-September 19, 1971). Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 7-September 8, 1991).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

In his left hand the Christ Child holds a swallow. Swallows were thought to hibernate during winter in nests of mud. Their re-emergence in spring symbolized the Resurrection of Christ. This painting was probably the central panel of an altarpiece. After the altarpiece was broken up, the work was cut into its present octagonal shape.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 1 structured provenance events · 4 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line