Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
Tobias and the Angel
1750s
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicUntil 1800
Possibly Federigo Giovanelli, Venice
?
Baroness Valerie Groedel, Budapest
By 1933?
(Neumann Gallery, Vienna)
1952
Francesco Pospisil, Venice, sold through Alessandro Brass to the Cleveland Museum of Art
1952-
The Cleveland Museum of Art, Cleveland, Ohio
Source provenance text
Possibly Federigo Giovanelli, Venice Baroness Valerie Groedel, Budapest (Neumann Gallery, Vienna) Francesco Pospisil, Venice, sold through Alessandro Brass to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, Ohio
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Mostra dei Guardi. Palazzo Grassi spa, 30124 Venice, Italy (organizer) (June 5-October 10, 1965). The Allure of La Serenissima: Eighteenth-Century Venetian Art. Oklahoma City Museum of Art, Oklahoma City, OK (organizer) (September 9, 2010-January 2, 2011). Venice, Palazzo Grassi, June 5 - October 10, 1965: "Mostra dei Guardi," cat. no. 59, p. 412 (as Francesco) Approved: Trustees' Minutes 6/21/1965 Oklahoma City Museum of Art (9/9/2010 - 1/2/2011): "The Allure of La Serenissima: Eighteenth-Century Venetian Art" , cat. no. 9, p. 55.
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham. However, the narrative of Tobias and the Angel comes from an entirely different book of the Bible. The blind Tobit sends his son Tobias off to collect a sum of money in the distant town of Media, with the angel Raphael accompanying him in disguise as a human. This particular work depicts Raphael overseeing Tobias catching a fish, which would later be used to cure his father's blindness.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 5 structured provenance events · 2 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line