Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Bequest of Leonard C. Hanna Jr.
Museum
The Troubadour
1868–73
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicUntil 1896
Count Armand Doria [1824-1896] Orrouy, France
1899
(Armand Doria sale, Galerie Georges Petit, Paris, May 4-5, 1899 (no. 132), sold to Ambroise Vollard)
1899-by 1912
(Ambroise Vollard, Paris, sold to Paul Cassirer)
1912 - probably by 1915
(Paul Cassirer, Berlin)
By 1928-1940
Eduard Fuchs [1870-1940], Berlin-Zehlendorf, by descent to his wife, Margaret Fuchs
1940-1953
Margaret Fuchs, Paris and New York, consigned to Justin K. Thannhauser
1953
(Justin K. Thannhauser, New York, sold to Leonard C. Hanna, Jr.)
Source provenance text
Count Armand Doria [1824-1896] Orrouy, France (Armand Doria sale, Galerie Georges Petit, Paris, May 4-5, 1899 (no. 132), sold to Ambroise Vollard) (Ambroise Vollard, Paris, sold to Paul Cassirer) (Paul Cassirer, Berlin) Eduard Fuchs [1870-1940], Berlin-Zehlendorf, by descent to his wife, Margaret Fuchs Margaret Fuchs, Paris and New York, consigned to Justin K. Thannhauser (Justin K. Thannhauser, New York, sold to Leonard C. Hanna, Jr.) Leonard C. Hanna Jr., [1889-1957], Cleveland, OH, bequeathed to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Paintings and Drawings of Daumier. Tate Britain, London (June 14-July 30, 1961). Honoré Daumier, 1808-1879. National Gallery of Art, Landover, MD (organizer) (September 23-November 25, 1979). Honoré Daumier. National Gallery of Canada (organizer) (June 3-September 6, 1999); Galeries Nationales du Grand Palais, Paris, France (October 5, 1999-January 3, 2000); The Phillips Collection (February 19-May 14, 2000). Exposition Daumier. Palais de l'École des Beaux-Arts, Paris, France (1901). Honoré Daumier Ausstellung, Gemälde, Aquarelle Zeichnungen, Galerie Matthiesen. Berlin, Germany (1926). Corot-Daumier. Museum of Modern Art., New York, NY (1930).
The Cleveland Museum of Artconfidence 100%
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Sourced Overview Evidence
The troubadour, a medieval traveling poet and entertainer, was a popular subject in 19th-century French art. Associated with chivalry and courtly love, the theme reflects a broader, romantic fascination with France's medieval past. Although Daumier was particularly inspired by the troubadour paintings of French Rococo artist Jean-Antoine Watteau of the 1700s, he rendered the subject here in a powerful style of simplified, muscular form that appealed to modern artists of his own time.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 9 structured provenance events · 3 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line