Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
The Trinity
c. 1460
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public1897-1924
Camille Barrère (1851-1940), Rome, Italy, by descent to Mme. Albert Cousin
1924-
Mme. Albert Cousin (nee Barrère), by descent to Albert Cousin
Provenance event
Albert Cousin
-1960
(J. Seligmann & Co., New York, NY, sold to the Cleveland Museum of Art)
1960-
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
Camille Barrère (1851-1940), Rome, Italy, by descent to Mme. Albert Cousin Mme. Albert Cousin (nee Barrère), by descent to Albert Cousin Albert Cousin (J. Seligmann & Co., New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review - Nineteen Hundred Sixty. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 30, 1960-January 1, 1961). Draped in Splendor: Renaissance Textiles and the Church. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 7, 2003-September 26, 2004). The Persistence of Geometry: Form, Content and Culture in the Collection of the Cleveland Museum of Art. Museum of Contemporary Art Cleveland (MOCA), Cleveland, OH (June 9-August 20, 2006).
The Cleveland Museum of Artconfidence 100%
Related public works
Explore catalog →Visual neighbours
Sourced Overview Evidence
Fundamental to Christian belief, the Holy Trinity refers to the three divine persons in God—God the Father, here depicted wearing a papal tiara, God the Son, crucified on the cross, and the Holy Spirit, represented as a dove. Juxtaposed with the Trinity's austere depiction are cherubim bathed in radiant red light, possibly influenced by stained glass windows that Girardin also designed in Lyon. God the Father wears a liturgical vestment, a sumptuous and bejeweled cope, or cape, fastened below the neck, typically worn by clergy for processional occasions. It is made of opulent crimson velvet with gold thread forming a large pomegranate pattern.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 5 structured provenance events · 3 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line