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The Sand-Carrying Festival (Sunamochi Matsuri)
The Cleveland Museum of Art · Kelvin Smith Fund
Museum

The Sand-Carrying Festival (Sunamochi Matsuri)

1856
Sakai Basai (Japanese, dates unknown) visual detail
ArtistSakai Basai (Japanese, dates unknown)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
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Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

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No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?–1991

(Andreas Leisinger, Tokyo, Japan, sold to the Cleveland Museum of Art)

1991–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Andreas Leisinger, Tokyo, Japan, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Japanese Gallery 235 Rotation. The Cleveland Museum of Art (organizer) (January 2-July 9, 2018).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Dredging waterways to preserve their function once required the cooperation of large numbers of people, seen at the top of this painting. Sand-carrying festivals were historically associated with religious rites or gathering alms to construct places of worship, and involved not only the labor of collecting sand from rivers but also parades and performances marking the event. Kyoto’s Kamo River has been dredged many times over the centuries, including in 1856, the year this image was made. Although the title at the upper right says Taihei Kakan, or “Peaceful, Beautiful View,” the painter’s delightful scene reminds his audience that at the best of times, peace may have little to do with quiet. <br><br>Sakai Baisai was a student of literati painter Yamamoto Baiitsu (1783–1856). He was active until around 1879, when he relocated to Kobe to make his living as a design painter on porcelains destined for export.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line