The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)

The Cleveland Museum of Art · Gift of Mrs. A. Dean Perry

Museum

The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)

c. 1560

ArtistTara 1 (Indian, active 1550s-1590s)

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Medium: gum tempera, ink, and gold on paper
Dimensions: Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 9.1 x 10.3 cm (3 9/16 x 4 1/16 in.)
Classification: Painting
Style: Indian Art
Origin: Mughal India, court of Akbar (reigned 1556–1605)
Institution: The Cleveland Museum of Art
Credit: Gift of Mrs. A. Dean Perry

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Provenance

Public

?–1959

Estate of Breckinridge Long [1881–1958], Bowie, MD

1959–1962?

(Harry Burke Antiques, Philadelphia, PA)

1959?–1962

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from...

1962–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Estate of Breckinridge Long [1881–1958], Bowie, MD (Harry Burke Antiques, Philadelphia, PA) (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public

Source exhibition text

Main Gallery Rotation (gallery 245): April 28, 2015 - November 2, 2015.

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Every night for 52 nights the sly domesticated parrot encourages his master's wife Khujasta to meet her lover under cover of darkness. Just before she leaves, he mentions a topic from a tantalizing tale; she becomes so curious that she cannot go out before hearing the whole story. By the time the story ends, dawn breaks, and it is too late for her to go out unnoticed. The gold sky and geometric tile patterns are derived from Persian sources while Khujasta's figure shown in profile and style of dress are purely Indian. The artist has chosen to tilt the carpet up in defiance of realistic perspective to show off the fine arabesque motif. The checkered bedspread calls attention to the empty bed and Khujasta's longing to be with her lover.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 0 structured exhibitions.

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