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The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala
The Cleveland Museum of Art · Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund
Museum

The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala

c. 1600
Medium
Gum tempera and gold on paper
Dimensions
Page: 19.1 x 16.5 cm (7 1/2 x 6 1/2 in.)
Classification
Painting
Style
Indian Art
Origin
Central India, Madhya Pradesh, Malwa
Institution
The Cleveland Museum of Art
Credit
Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
No rights-cleared provenance evidence is published.

Exhibitions

Public
No rights-cleared exhibition history is published.
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The siege of Arbela in the era of Hulagu Khan, page from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian,1247–1318)

The siege of Arbela in the era of Hulagu Khan, page from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian,1247–1318)

Basavana (Indian, active c. 1560–1600) · 1591

Sourced Overview Evidence

After a night of lovemaking, the lover leaves his sleeping consort early in the morning. He thoughtfully turns his head to take a last look at his beautiful beloved before departing. The heroine, unaware of her lover’s egression, slumbers on the footed bed with boldly patterned textile. The break of dawn has been depicted with the depiction of blue sky overlapping the black background.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 0 structured provenance events · 0 structured exhibitions.

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