Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · John L. Severance Fund and Mr. and Mrs. William H. Marlatt Fund
Museum
The Healing of Tobit
c. 1625
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
Angelo Costa, Genoa (by 1955);
Provenance event
(Harari & Johns, London, and Galerie Sanct Lucas, Vienna), sold to the Cleveland Museum of Art, 1993...
Source provenance text
Angelo Costa, Genoa (by 1955); (Harari & Johns, London, and Galerie Sanct Lucas, Vienna), sold to the Cleveland Museum of Art, 1993.
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Bernardo Strozzi: Genova 1581/82-Venezia 1644. The Walters Art Museum, Baltimore, MD (September 10-November 26, 1995). Bernardo Strozzi. The Walters Art Gallery, Baltimore, MD (September 8 - November 30, 1995).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
This scene is the moving conclusion of the story of Tobias, the young man at the right. It addresses the themes of family devotion and trust. Tobias’s father sent him on a long journey to retrieve family money. The angel Raphael appeared as a relative, offering the traveler protection against such things as an attack by a huge fish, whose organs Tobias took on Raphael’s advice. Upon his return home, Tobias discovers his father has gone blind, and Raphael advises him to place the fish’s gallbladder on his father’s eyes to cure him. Strozzi depicts the miraculous cure and the moment in which Raphael reveals that he is an angel.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 1 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line