The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The Cleveland Museum of Art · Gift of Mrs. A. Dean Perry

Museum

The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560

ArtistGujarati (Indian, active 1550s-1590s)

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Medium: gum tempera, ink, and gold on paper
Dimensions: Painting only: 12.1 x 9.9 cm (4 3/4 x 3 7/8 in.); Overall: 20 x 13.4 cm (7 7/8 x 5 1/4 in.)
Classification: Painting
Style: Indian Art
Origin: Mughal India, court of Akbar (reigned 1556–1605)
Institution: The Cleveland Museum of Art
Credit: Gift of Mrs. A. Dean Perry

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Public evidence

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Provenance

Public

?–1959

Estate of Breckinridge Long [1881–1958], Bowie, MD

1959–1962?

(Harry Burke Antiques, Philadelphia, PA)

1959?–1962

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from...

1962–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Estate of Breckinridge Long [1881–1958], Bowie, MD (Harry Burke Antiques, Philadelphia, PA) (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public

No rights-cleared exhibition history is published.

Sourced Overview Evidence

In the upper register, the king’s handmaiden appears at the court to once again ask that the young prince be executed. Having taken a temporary vow of silence, the prince is unable to defend himself. He kneels with his hands bound awaiting execution. For the third time, one of the king’s viziers will step in to stall the execution.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 0 structured exhibitions.

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