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The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night
The Cleveland Museum of Art · Gift of Mrs. A. Dean Perry
Museum

The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

c. 1560
Shravana (Indian, active 1550s–c.1600) visual detail
ArtistShravana (Indian, active 1550s–c.1600)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
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Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?–1959

Estate of Breckinridge Long [1881–1958], Bowie, MD

1959–1962?

(Harry Burke Antiques, Philadelphia, PA)

1959?–1962

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from...

1962–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Estate of Breckinridge Long [1881–1958], Bowie, MD (Harry Burke Antiques, Philadelphia, PA) (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Main Asian Rotation (Gallery 245); December 31, 2013 - June 30, 2014.

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

In order to convince the king that he should not have the prince executed solely on the basis of the handmaiden's accusation, the king's seven viziers each tell a story about the actions of a deceitful woman. This painting depicts the opening scene of the story told by the fifth of seven viziers. An adulterous wife has surreptitiously climbed down from her room to caress a man on the street, whom she wants to take as a lover. In the margin of the painting on this page is an inscription written in Persian identifying the name of the artist Shravana.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 0 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line