Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Bequest of James Parmelee
Museum
The Crucifixion
1470s
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public–1890s
M. Chaff, Paris (as Mantegna)
1890s
Baron Michele Lazzaroni, Paris (1863–1934)
–1929
John E. Fairfax Murray, Florence (1849–1919)
1929
M. Knoedler & Co., New York City
1929–1940
James Parmelee, Washington D.C. (1855–1931)
1940
By bequest to The Cleveland Museum of Art
Source provenance text
M. Chaff, Paris (as Mantegna) Baron Michele Lazzaroni, Paris (1863–1934) John E. Fairfax Murray, Florence (1849–1919) M. Knoedler & Co., New York City James Parmelee, Washington D.C. (1855–1931) By bequest to The Cleveland Museum of Art
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Art and Humanism in the Renaissance. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 23-February 25, 1962).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
This small picture belonged to a predella, a series of subsidiary panels consisting of narrative scenes and situated at the bottom of an altarpiece. Predella paintings are significant because the artist was allowed more freedom and inventiveness here than in the higher part of the altarpiece. In this Crucifixion scene, the harmony of colors, the monumentality of the figures, and the symmetry of the composition all reflect the classical spirit of Renaissance Italy. Moreover, the panel shows some characteristics of the traditional Sienese school—such as the quality and elegance of the lines—which persists in Giovanni’s works.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 6 structured provenance events · 1 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line