Sweet Melancholy
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum

Sweet Melancholy

1756
Joseph-Marie Vien (French, 1716–1809) visual detail
ArtistJoseph-Marie Vien (French, 1716–1809)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Probably from 1757

Madame Marie-Thérèse Geoffrin [1699-1777], Paris, France

c. 1765

Jean Louis Antoine le Vaillant de Damery, Chevalier de l’Ordre Royal Militaire de St-Louis [1723-180...

Until 1774

Comte Jean-Baptiste Dubarry [1723-1794], Toulouse, France

Nov. 21, 1774

(Sale: Jean-Pierre-Baptiste Le Brun and Pierre Remy, Paris, Dubarry sale, Nov. 21, 1774, no. 93, pro...

1774-

(Pierre Remy, Paris, France)

Until 1776

Louis François, 6th Prince de Conti [1717-1776], Paris, France

April 17, 1777

(Sale: Pierre Remy, Paris, France, Prince de Conti sale, April 17, 1777, no. 732, sold to Quenet)

Source provenance text

Madame Marie-Thérèse Geoffrin [1699-1777], Paris, France Jean Louis Antoine le Vaillant de Damery, Chevalier de l’Ordre Royal Militaire de St-Louis [1723-1803] Comte Jean-Baptiste Dubarry [1723-1794], Toulouse, France (Sale: Jean-Pierre-Baptiste Le Brun and Pierre Remy, Paris, Dubarry sale, Nov. 21, 1774, no. 93, probably bought in) (Pierre Remy, Paris, France) Louis François, 6th Prince de Conti [1717-1776], Paris, France (Sale: Pierre Remy, Paris, France, Prince de Conti sale, April 17, 1777, no. 732, sold to Quenet) Quenet, Paris, France Jean Paul André des Rasins, Marquis de Saint-Marc [1723-1818], Paris, France, by descent to his daughter, Marie de la Roze Marie de la Roze (Sale: Hôtel Drouot, Paris, Marquis de Saint-Marc sale, Paris, Feb. 23, 1859, no. 17) (Wildenstein & Company, New York, NY, sold to a private collector, UK) Private noble collection, UK, sold to Danny Katz and Simon Dickinson through William Thuillier (William Thuillier, Paris, France, sold to Danny Katz and Simon Dickinson) (Danny Katz and Simon Dickinson, London, the latter bought out by the former) Danny Katz, London, sold to Emmanuel Moatti and Jack Kilgore (Emmanuel Moatti and Jack Kilgore, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, Ohio

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

More Light. Europe Around 1770. Art and Enlightenment. Städel Museum, Franfurt am Main, Germany (August 22, 1999-January 9, 2000). A Voluptuous Taste: French Painting in the Age of Madame de Pompadour. Musée des Beaux-Arts de Tours, Tours, France (October 11, 2008-January 12, 2009); Portland Art Museum, Portland, OR (organizer) (February 7-May 17, 2009). Exhibited at the Salon of 1757. no. 31

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Visual neighbours

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Sourced Overview Evidence

The chair, brazier, table, and the setting all show Vien's interest in bringing archaeological accuracy to a new level of precision. Yet his delicate handling and graceful palette derive squarely from 18th-century French painting. The gesture of the melancholic figure, with her head on her hand, has roots going back to the Renaissance. Nonetheless, the painting has a wistful rather than tragic tone. Indeed, images of women in interiors, contemplating a letter with longing or sadness, derive from earlier Dutch paintings of daily life, here transformed into an ancient context.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 18 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line