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Still Life with Vegetables, Partridge, and a Jug
The Cleveland Museum of Art · Bequest of Noah L. Butkin
Museum

Still Life with Vegetables, Partridge, and a Jug

1858
Adolphe-Félix Cals (French, 1810–1880) visual detail
ArtistAdolphe-Félix Cals (French, 1810–1880)
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Public evidence
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Provenance

Public
Provenance event

Galerie François Delestre, Paris. Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1...

Source provenance text

Galerie François Delestre, Paris. Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

The Realist Tradition: French Painting and Drawing 1830 - 1900. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 12, 1980-January 18, 1981). Year in Review: 1980. The Cleveland Museum of Art (organizer) (June 24-July 19, 1981). CMA. Chardin and the Still-Life Tradition in France (1979), 74, 89; no. 15 (repr.). CMA; Brooklyn Museum; Saint Louis Art Museum; Glasgow Art Gallery and Museum. The Realist Tradition: French Painting and Drawing 1830-1900 (1980-82), 149, no. 116 (repr.). Text by Gabriel P. Weisberg.

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

During the 19th century, a number of painters used common objects (rather than rare or refined objects) to create still lifes that some critics judged as unfit for the drawing room: studies of carrots, cabbages, asparagus, oysters, onions, eggs, and cooking utensils. Often these subjects were chosen for their mealtime associations. The food represented on the table in this painting—a partridge, onions, and cabbage—are the main ingredients for the well-known dish <em>perdrix au chou</em> (partridge with cabbage). Cals, however, was also interested in exploring underlying compositional design principles and studying the shapes of the objects he depicted. Cals lived and worked in and around Paris for most of his life, though in 1871 he moved to Normandy. In 1874 he participated in the first Impressionist exhibition and continued to do so until 1879. Although still lifes were an important part of his production, they were not his specialty. He preferred to work outdoors, in places chosen during his daily strolls. Art critic Edmond About, who was usually not very generous with compliments, characterized Cals as the most sincere and genuine artist he had ever known.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 1 structured provenance events · 2 structured exhibitions.

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