Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund
Museum
Still Life with Herrings
c. 1735
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicUntil 1857
Dr. Benoist
March 30, 1857
(Benoist sale, Hôtel Drouot, Paris, March 30, 1857, no. 12, probably sold to Monsieur R.)
Probably 1857-1860
Monsieur R., Paris
April 28, 1860
(Monsieur R. collection sale, Rouillard, Paris, April 28, 1860, no. 12, possibly sold to Henri
Possibly 1860-by 1881
Henri Viollet [1849-1926?], Tours, France
Until 1904
Alfred [1811-1893] and Paul [1833-1903] Mame, Tours, France
April 26-29, 1904
(Mame sale, Galerie Georges Petit, Paris, France, April 26-29, 1904, no. 7, sold to Alexis Vollon)
Source provenance text
Dr. Benoist (Benoist sale, Hôtel Drouot, Paris, March 30, 1857, no. 12, probably sold to Monsieur R.) Monsieur R., Paris (Monsieur R. collection sale, Rouillard, Paris, April 28, 1860, no. 12, possibly sold to Henri Henri Viollet [1849-1926?], Tours, France Alfred [1811-1893] and Paul [1833-1903] Mame, Tours, France (Mame sale, Galerie Georges Petit, Paris, France, April 26-29, 1904, no. 7, sold to Alexis Vollon) Alexis Vollon [1865-1945], Paris, France David David-Weill [1871-1952], Paris, France (Rosenberg and Stiebel, New York, NY, sold to Sidney J. Lamon) Sidney J. Lamon [d. 1973], New York, NY (Sale, Christie’s, London, June 29, 1973, no. 21, sold to Frederick Mont/Newhouse Galleries) 1 (Frederick Mont and Newhouse Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, Ohio
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review: 1974. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 11-April 6, 1975). Chardin, 1699 - 1779. Musée du Louvre, Paris, France (co-organizer) (January 26-April 30, 1979); The Cleveland Museum of Art, Cleveland, OH (co-organizer) (June 6-August 12, 1979); Museum of Fine Arts, Boston, Boston, MA (co-organizer) (September 11-November 19, 1979). The Magic of Still Life. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 4, 1986-February 1, 1987). Conserving the Past for the Future. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-May 6, 2001). Masterworks from The Phillips Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 20-May 29, 2005). Jean-Baptiste Siméon Chardin. Palazzo dei Diamanti, 44110 Ferrara, Italy (October 17, 2010-January 30, 2011); Museo Nacional del Prado, Madrid, Spain (February 28-May 29, 2011). Exposition Retrospective, Musée des Beaux-Arts, Tours, France, (1873). Exposition Chardin et Fragonard, Galerie Georges Petit, Paris, France (June-July, 1907). French Still Life from Chardin to Cézanne, Arnold Seligmann-Helft Galleries, New York, NY (October 29-November 22, 1947).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
Chardin reflected intensely on the act of observation. Still life became a forum for sophisticated performances in paint, and his complex technique—he famously worked in private—uses a staggering combination of delicate glazes and roughly dragged thick paint to capture the varied surfaces, atmospheres, and spaces in this humble pantry shelf. Acutely aware of recent developments in optics and physics, Chardin explored ideas about light, shadow, and color, and fully expected his work to be inspected closely.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 14 structured provenance events · 6 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line