Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund
Museum
Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)
1700s
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
Public?–2018
Catherine Glynn Benkaim and Barbara Timmer, Beverly Hills, CA, partial sale and gift to the Clevelan...
2018–
The Cleveland Museum of Art, Cleveland, OH
Source provenance text
Catherine Glynn Benkaim and Barbara Timmer, Beverly Hills, CA, partial sale and gift to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicNo rights-cleared exhibition history is published.
Related public works
Explore catalog →Catalog neighbours
A Prince Performs Austerities (recto); Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)
Unknown artist · 1700
A Prince Performs Austerities (recto), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)
Unknown artist · 1700
Sourced Overview Evidence
At left is a multicolored mountain, labeled by an inscription in the local language of Oriya as a “cave on Kailash,” the Himalayan abode of the god Shiva and his wife Parvati. The cave with its bed and bolsters is empty, but the god is returning home on his bull, Nandi. The wilderness is indicated by the variety of trees, birds, and spotted deer. <br><br>This illustrated leaf is from a book that would have been stacked and bound by a string through the hole in the center. The lines were etched with a stylus into the palm leaf. Black soot from butter lamps was rubbed over the page and wiped off, leaving only the grooves black. Afterward, artists added color using a brush.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 0 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextCredit Line