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Saying Farewell at Xunyang (Song of the Pipa)
The Cleveland Museum of Art · John L. Severance Fund
Museum

Saying Farewell at Xunyang (Song of the Pipa)

1500s
Wen Boren (Chinese, 1502–1575) visual detail
ArtistWen Boren (Chinese, 1502–1575)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
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Observed sales0
Artist index—
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Provenance

Public
Provenance event

Wu Xijia 吳錫嘉 [mid-1700s]

by 1932

Yamamoto Teijiro 山本悌二郎 [1870–1937], Tokyo, Japan

?–1954

(Howard Hollis & Company, Cleveland, OH, sold to the Cleveland Museum of Art)

1954–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Wu Xijia 吳錫嘉 [mid-1700s] Yamamoto Teijiro 山本悌二郎 [1870–1937], Tokyo, Japan (Howard Hollis & Company, Cleveland, OH, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954). Migrations of Memory—The Poetry and Power of Music. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 19, 2021-May 8, 2022). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (March 4-July 23, 2003).

The Cleveland Museum of Artconfidence 100%
Related public works

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Sourced Overview Evidence

This handscroll depicts <em>The Song of the Pipa</em>, a poem by Bai Juyi 白居易 (772–846) written after the poet’s encounter with a <em>pipa </em>player on the Yangzi River. Expelled from her home city when her beauty and fame had faded, she played for the poet at night. Her musical performance and tragic life story resonated with Bai Juyi, who had just been demoted and exiled from life at court himself. The hazy, vast view and pale color tonalities of this painting illustrate these feelings of endless sadness, having lost one’s sense of purpose in life.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line