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Saints Presenting a Devout Woman to the Virgin and Child
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund
Museum

Saints Presenting a Devout Woman to the Virgin and Child

1720s
Giovanni Battista Pittoni (Italian, 1687–1767) visual detail
ArtistGiovanni Battista Pittoni (Italian, 1687–1767)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
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Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
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Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

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Provenance

Public
1982-

The Cleveland Museum of Art, Cleveland, Ohio

Until 1982

(Newhouse Galleries, New York, sold to the Cleveland Museum of Art)

Possibly 1941-1982

Baron André Descamps, Brussels, possibly consigned to Newhouse Galleries

1941

(Galerie Fievez, Brussels, sale, June 23-24, 1941, no. 232

1927

(Galerie Georges Giroux, Brussels, Broerman sale, March 21, 1927, lot 24, as Giambattista Tiepolo)

Possibly 1924-1927

Eugene Broerman [1860-1930], Brussels, consigned to Galerie Georges Giroux

Provenance event

Piccoli collection, Venice

Source provenance text

The Cleveland Museum of Art, Cleveland, Ohio (Newhouse Galleries, New York, sold to the Cleveland Museum of Art) Baron André Descamps, Brussels, possibly consigned to Newhouse Galleries (Galerie Fievez, Brussels, sale, June 23-24, 1941, no. 232 (Galerie Georges Giroux, Brussels, Broerman sale, March 21, 1927, lot 24, as Giambattista Tiepolo) Eugene Broerman [1860-1930], Brussels, consigned to Galerie Georges Giroux Piccoli collection, Venice Possibly a palace chapel, Belluno, Italy

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

The Year in Review for 1982. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 6, 1983). The Allure of La Serenissima: Eighteenth-Century Venetian Art. Oklahoma City Museum of Art, Oklahoma City, OK (organizer) (September 9, 2010-January 2, 2011).

The Cleveland Museum of Artconfidence 100%
Related public works

Visual neighbours

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Sourced Overview Evidence

A devout woman, shown at lower right, is presented by saints and an angel to the central Virgin and Child. In clockwise order from her is Saint Lucy, identified by the cauldron and sword at her feet; Saint Agnes, by the lamb; Saint Scholastica, by the dove she holds; and Saint Benedict, characterized by his crozier and Benedictine habit. Slightly below the central Madonna is Saint Veronica, whose head is covered. Behind Saint Veronica, Saint Anthony of Padua, wearing a Franciscan habit and holding a lily stalk, stands in a pose of adoration. Below Saint Anthony and next to the woman is an angel. The identity of the woman is uncertain, but she may be the painting's patron. Pittoni uses dramatic gestures and elegant drapery, while the soft treatment of light and rich colors reflect Pittoni's study of French Rococo art during his stay in France in 1720. In the crowded composition, Pittoni has emphasized the importance of the religious event. His experimentation with composition is evident in the legs of Saint Agnes's lamb; as the painting has aged, a third front leg that Pittoni had painted over has become visible.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 8 structured provenance events · 2 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line