Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
Art Institute of Chicago
Museum
Saint Jerome in the Wilderness
1585–90
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price
$32,000
Dealer sale · May 1, 1945
+412.0% vs previous observed sale
Matched price history · normalized USD · Foundry provisional
$6K1944
$32K1945
Last known price$32,0002 matched observed sales
Observed median$19,125
Observed sales2
Artist index512.0
1945-05-01Dealer sale$32,000.00
1944-12-19Dealer purchase$6,250.00
Artist index contextLatest public build 512.0 · base 100 · n=1.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicRev. John Sanford, Florence and London, by 1837 [see Sanford catalogue, 1837, p. 19, no. 102.] Sold Christie's, London, March 9, 1839, no. 131, for £23 2s, to G. Yates. Possibly George Byng (1764-1847) or his nephew George Byng (1806-1886), second earl o
Rev. John Sanford, Florence and London, by 1837 [see Sanford catalogue, 1837, p. 19, no. 102.] Sold...
but unverified.] A.L. Nicholson, London, by 1930 [see letter of 20 February 1930 from Bernard Berenson to Nicholson in curatorial file]. M. Knoedler, New York, acquired December 1944 (stock no. A 2989) and sold to the Art Institute, May 10, 1945.
but unverified.] A.L. Nicholson, London, by 1930 [see letter of 20 February 1930 from Bernard Beren...
Source provenance text
Rev. John Sanford, Florence and London, by 1837 [see Sanford catalogue, 1837, p. 19, no. 102.] Sold Christie's, London, March 9, 1839, no. 131, for £23 2s, to G. Yates. Possibly George Byng (1764-1847) or his nephew George Byng (1806-1886), second earl of Strafford of the third creation, Wrotham Park, Barnet (Middlesex) [according to information supplied by M. Knoedler; but unverified.] A.L. Nicholson, London, by 1930 [see letter of 20 February 1930 from Bernard Berenson to Nicholson in curatorial file]. M. Knoedler, New York, acquired December 1944 (stock no. A 2989) and sold to the Art Institute, May 10, 1945.
Art Institute of Chicagoconfidence 100%
Exhibitions
PublicSource exhibition text
The Art Institute of Chicago, Masterpiece of the Month, 1949 (no cat.). The Art Institute of Chicago, Bill Viola: A 25-Year Survey, October 16, 1999 – January 9, 2000, included in the gallery that held Viola’s The Greeting for the Chicago venue.
Art Institute of Chicagoconfidence 100%
Sourced Overview Evidence
<p>Paolo Veronese maintained an active workshop that included members of his family to meet the demand for paintings in his style. This picture may have been a collaboration between the artist’s son, Carlo Caliari, and brother <a href="https://www.artic.edu/artists/66699/benedetto-caliari">Benedetto Caliari</a>, who painted the landscape and figural elements, respectively. The broad brushstrokes do not demonstrate the freedom or effects of flickering light found in Veronese’s own work.</p>
Art Institute of Chicagoconfidence 100%
Evidence state
2 observed sales · 0 comparable sales · 2 structured provenance events · 2 structured exhibitions.
Short DescriptionProvenance TextExhibition HistoryCredit Line