River Landscape
The Cleveland Museum of Art · John L. Severance Fund
Museum

River Landscape

1788
Min Zhen (Chinese, 1730–after 1788) visual detail
ArtistMin Zhen (Chinese, 1730–after 1788)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
1788–?

Daili Shanren 戴笠山人 [active late 1700s]

Provenance event

Ni Yun 倪耘 [d. 1864]

Provenance event

Yan Shiqing 顏世清 [1873–1929]

Provenance event

Xu Xiaopu 徐小圃 [1887–1961]

c. mid-1900s

Ding Nianxian 丁念先 [1906–1969]

?–1985

(Eskenazi Ltd., London, England, sold to the Cleveland Museum of Art)

1985–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Daili Shanren 戴笠山人 [active late 1700s] Ni Yun 倪耘 [d. 1864] Yan Shiqing 顏世清 [1873–1929] Xu Xiaopu 徐小圃 [1887–1961] Ding Nianxian 丁念先 [1906–1969] (Eskenazi Ltd., London, England, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Gallery 122 Rotation. The Cleveland Museum of Art, Cleveland, OH (June 27–September 28, 2001). Gallery 122 Rotation. The Cleveland Museum of Art, Cleveland, OH (April 27–August 9, 2000).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Min Zhen, who was orphaned at age 12 and developed an eccentric personality, was trained by Tang Yin (1682–1756), a writer, playwright, and superintendent of the imperial porcelain workshops in Jingdezhen. The connection to him may have enabled Min to stay in Beijing for a decade from around 1773. It is not clear whether he ever resided in Yangzhou, but his style is in many instances reminiscent of that of Yangzhou artist Huang Shen. This album demonstrates Min’s versatility and mature style in the last years of his life.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 7 structured provenance events · 0 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line