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Reminiscences of Qinhuai River
The Cleveland Museum of Art · John L. Severance Fund
Museum

Reminiscences of Qinhuai River

1642–1707
Shitao (Chinese, 1642–1707) visual detail
ArtistShitao (Chinese, 1642–1707)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

Qin Tongli 秦通理 [early 20th century]

?-1966

C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art

1966-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Qin Tongli 秦通理 [early 20th century] C. C. Wang 王季遷 [1907–2003], New York, NY, sold to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

The Painting of Tao-Chi, 1641-Ca. 1720. University of Michigan Museum of Art, Ann Arbor, MI (August 13-September 17, 1967). Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982). Main Asian Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (July 23-October 27, 2003).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Shitao’s skillfully rendered composition suggests a sweeping movement from the base of the central rising mass, silhouette of forest, and a bright bend of misty atmosphere under the distant hills, to form almost a continual circle of energy—a gentle vortex. That is a perfect embodiment of the early Qing ideal of a momentous flow, with suggestion of the subterranean veins and linkages.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 0 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line