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Reflections of Priest Foyen
The Cleveland Museum of Art · Gift from the Collection of George Gund III
Museum

Reflections of Priest Foyen

1400s
Ikkyū Sōjun (Japanese, 1394–1481) visual detail
ArtistIkkyū Sōjun (Japanese, 1394–1481)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
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Observed sales0
Artist index—
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Provenance

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No rights-cleared provenance evidence is published.

Exhibitions

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Source exhibition text

Ink Paintings and Ash-Glazed Ceramics: Medieval Calligraphy, Painting, and Ceramic Art from Japan and Korea. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 19-May 28, 2000). CMA, 19 March-28 May, 2000: Ink Painting and Ash-Glazed Ceramics: Medieval Calligraphy, Painting, and Ceramic Art from Japan and Korea, no. 22-24 (repr.)

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Left by his mother at a small Zen temple in Kyoto at the age of six, Ikkyu later drew on his early studies and experiences for his writings, which focused on his keen interest in the Chinese classics. Poetry in particular was a favorite subject and images from classical poetry or passages from favorite poems or commentaries frequently provided Ikkyu with the core ideas for his own work. A rare example of his calligraphy, this narrow scroll contains a verse in eight phrases, each comprising four characters. The whole verse is organized in three towering lines of brusque, emphatic calligraphy augmented by Ikkyu's signature-the two lines of running script in the lower left corner. The text refers to a passage included in the Chronicle of the Zen Sect that contains a cautionary reminder attributed to the legendary Chinese monk Foyen Qingyuan (1067-1120), long revered in Japan. The initial phrase begins: "Life is a mirage."

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 0 structured provenance events · 1 structured exhibitions.

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