Reeds and Geese
The Cleveland Museum of Art · Gift from the Collection of George Gund III
Museum

Reeds and Geese

1314–17
Yishan Yining [Issan Ichinei] (Chinese, 1247–1317) visual detail
ArtistYishan Yining [Issan Ichinei] (Chinese, 1247–1317)
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Market Intelligence

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Public evidence
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Provenance

Public
?–2015

George Gund III [1937–2013], bequest to the Cleveland Museum of Art

2015–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

George Gund III [1937–2013], bequest to the Cleveland Museum of Art The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Reeds and geese has been a common pairing in Chinese literary and visual culture for many centuries. This painting presents the contribution of a Japanese amateur painter, almost certainly a Zen Buddhist monk, to Japan’s fledgling efforts to add the theme to its own cultural vocabulary in the early 1300s. As was customary at the time in Japan, the painter did not sign or seal his work; the inscription, a poem added to the painting by the eminent émigré monk Yishan Yining, along with his signature and seal, was of far greater cultural value. Today, the modestly sized painting has tremendous significance as one of the earliest surviving examples of Japanese ink paintings with reeds and geese.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line