Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of Mr. and Mrs. J. H. Wade
Museum
Queen Mab's Cave
after 1846
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicNo rights-cleared provenance evidence is published.
Exhibitions
PublicSource exhibition text
The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Cleveland, Kinney and Levan Building. Illustrated Catalogue of the Cleveland Art Loan Exposition under the Auspices of the Cleveland School of Art (1913), no. 170b, Turner, lent by J. H. Wade. cma. Catalogue of the Twentieth Anniversary Exhibition of the Cleveland Museum of Art (1936), no. 250, Turner, pl. lx. Kansas City, William Rockhill Nelson Gallery of Art. Exhibition of English Eighteenth Century Paintings (1937), Turner, no cat. Pittsburgh, Carnegie Institute. A Survey of British Paintings (1938), no. 50, Turner. New York, Brooklyn Museum. Landscape; An Exhibition of Paintings (1945-46), no. 41, Turner. Art Gallery of Toronto; Ottawa, National Gallery of Canada. An Exhibition of Paintings by J. M. W. Turner (1775-1851), no. 14.
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
This work is a reduced copy of a painting first exhibited by Turner at the British Institution in 1846 that passed, with the rest of his immense bequest to the nation, into the collections of the National Gallery and finally, in 1954, the Tate Gallery. Several lines from Shakespeare's <em>A Midsummer Night's Dream</em> and Turner's manuscript poem "Fallacies of Hope" were appended to the title in the British Institution catalogue, but they did little to explicate the nearly unintelligible concoction of fairies and Welsh ruins that make up this composition. Copies of <em>Queen</em> <em>Mab's Cave</em> by anonymous artists are abundant.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 0 structured provenance events · 1 structured exhibitions.
Place Of OriginShort DescriptionExhibition HistoryCredit Line