Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Leonard C. Hanna Jr. Fund
Museum
Portrait of Infante Don Luis de Borbon
c. 1776
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
Maria Luisa, Duquesa de San Fernando, Madrid (youngest daughter of Don Luis, died 1847); Carlota Lui...
Source provenance text
Maria Luisa, Duquesa de San Fernando, Madrid (youngest daughter of Don Luis, died 1847); Carlota Luisa, Duquesa de Sueca, Condesa da Chinchon, Boadilla del Monte (granddaughter of Don Luis, niece of Maria Luisa, died 1886); Adolfo Ruspoli, Duque de Sueca, Conde de Chinchon, Boadilla del Monte (son of Carlota Luisa, died, Paris, February 4, 1914; liquidation: Paris, February 7, 1914); Comte de Maubou, Paris; [Wildenstein & Co., New York]. Purchase, Leonard C. Hanna Jr. Bequest, 1966.
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966). Painting in Spain in the Age of Enlightenment: Goya and His Contemporaries. Indianapolis Museum of Art at Newfields (organizer) (November 23, 1996-January 19, 1997). Paris, Musée Jacquemart André, 1961/62: "Goya"cat. no. 21.
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
As a younger child of King Philip V of Spain, Don Luis received important religious posts, including Archbishop of Toledo and Seville. However, his philandering led to losing these titles and banishment from the court, while he became a crucial avant-garde art patron, especially of Goya. The encrustations of medals and cacophonous fabrics speak to Mengs's experiments in representing status, privilege, and royal honors in the age of Enlightenment, when rational skepticism began to confront absolutist, hereditary power.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 1 structured provenance events · 2 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line