Portrait of a Woman
The Cleveland Museum of Art · Gift of Harry D. Kendrick
Museum

Portrait of a Woman

1762–1770
Giovanni Domenico Tiepolo (Italian, 1727–1804) visual detail
ArtistGiovanni Domenico Tiepolo (Italian, 1727–1804)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
Provenance event

Richard Owen, died 1951 (Paris, France), by 1925;

Provenance event

Thomas Agnew & Sons (London, England), sold to Henry C. Dalton, 1928.

Provenance event

Henry C. Dalton, Cleveland, by inheritance to his nephew, Harry D. Kendrick;

Provenance event

Harry D. Kendrick, Cleveland, by gift to the Cleveland Museum of Art, 1952

Source provenance text

Richard Owen, died 1951 (Paris, France), by 1925; Thomas Agnew & Sons (London, England), sold to Henry C. Dalton, 1928. Henry C. Dalton, Cleveland, by inheritance to his nephew, Harry D. Kendrick; Harry D. Kendrick, Cleveland, by gift to the Cleveland Museum of Art, 1952

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Tiepolo and His Contemporaries. The Metropolitan Museum of Art, New York, NY (organizer) (March 14-April 24, 1938). The Tiepolos: Painters to Princes and Prelates. Birmingham Museum of Art, Birmingham, AL (organizer) (January 8-February 19, 1978); Museum of Fine Arts, Springfield, OH, Springfield, OH (March 19-May 7, 1978). The Allure of La Serenissima: Eighteenth-Century Venetian Art. Oklahoma City Museum of Art, Oklahoma City, OK (organizer) (September 9, 2010-January 2, 2011). CMA, 1928: "Representative Art through the Ages (no catalogue)." CMA, 1934: "Art of the XVIIth and XVIIIth Centuries" (no catalogue). CMA, 1936: "The Twentieth Anniversary Exhibition of CMA," cat. no. 64. New York, Metropolitan Museum of Art, 1938: "Tiepolo and His Contemporaries," cat. no. 19, repr. (as Giambattista Tiepolo). Art Institute of Chicago, 1938: "Paintings, Drawings, and Prints by the Two Tiepolos, Giambattista and Giandomenico," cat. no. 37, illus. Bordeaux, Galerie des Beaux-Arts, 1956: "De Tiepolo à Goya," cat. no. 58 (as Giambattista). Birmingham (Alabama) Museum of Art, 1978: "The Tiepolos, Painters to Princes and Prelates," cat. no. 94, p. 104, illus. p. 105. Springfield (Mass.) Museum of Fine Arts, 1978. Oklahoma City Museum of Art (9/9/2010 - 1/2/2011): "The Allure of La Serenissima: Eighteenth-Century Venetian Art",cat. no. 31, p. 100.

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

This portrait was made in Spain, where the artist (the son of Giambattista Tiepolo, the great Venetian fresco painter) lived between 1762 and 1770.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 3 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line