Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · L. E. Holden Fund
Museum
Portrait of a Man Holding a Watch
c. 1665–70
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicSept. 4, 2016
(Schloss Ahlden, Ahlden, Germany, September 4, 2016, no. 1094)
Sept. 4, 2016 - 2017
(Phillip Mould & Co., London, by whom sold to the Cleveland Museum of Art)
Source provenance text
(Schloss Ahlden, Ahlden, Germany, September 4, 2016, no. 1094) (Phillip Mould & Co., London, by whom sold to the Cleveland Museum of Art)
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicNo rights-cleared exhibition history is published.
Sourced Overview Evidence
Held in the hand or displayed in a private domestic space, miniature portraits were designed for intimate viewing. The sitter holds a watch, often a symbol of mortality and the passage of time. Like his colleague Gerrit Dou, Slingelandt was one of the Leiden fijnschilders (fine painters), a group of artists whose paintings were internationally recognized for their extraordinary detail and precise technique.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 0 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextCredit Line