Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Gift of the Hanna Fund
Museum
Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782
c. 1783
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
Jakob Goldschmidt, Berlin, 1929, and New York;
Provenance event
[Galerie Matthiessen, Berlin, 1944];
Provenance event
[Jacques Seligman & Co., New York], sold to the Cleveland Museum of Art, 1949.
Source provenance text
Jakob Goldschmidt, Berlin, 1929, and New York; [Galerie Matthiessen, Berlin, 1944]; [Jacques Seligman & Co., New York], sold to the Cleveland Museum of Art, 1949.
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Art: The International Language. The Cleveland Museum of Art (October 2-November 4, 1956). In Memoriam: Leonard C. Hanna, Jr.. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 4-April 7, 1958). Mostra dei Guardi. Palazzo Grassi spa, 30124 Venice, Italy (organizer) (June 5-October 10, 1965). Il Gran Teatro del Mondo: L'Anima e il Volto del Settecento. Palazzo Reale, Milano, Italy (November 10, 2003-May 2, 2004). Splendore a Venezia: Art and Music from the Renaissance to Baroque in the Serenissima. Montréal Museum of Fine Arts, Montreal, Quebec, Canada (organizer) (October 12, 2013-January 19, 2014); Portland Art Museum, Portland, OR (February 15-May 11, 2014). Eyewitness Views: Making History in Eighteenth-Century Europe. The Cleveland Museum of Art, Cleveland, OH (February 25-May 20, 2018). Springfield (Massachusetts), Museum of Fine Arts, 1937: "Francesco Guardi, 1712-1793," cat. nos. 5 and 6, repr. San Francisco, California Palace of the Legion of Honor, 1938: "Venetian Paintings from the Fifteenth through the Eighteenth Century," cat. nos. 35 and 36 repr. New York, World's Fair, 1939; "Masterpieces of Art," cat. nos. 171 and 172. Akron (Ohio) Art Institute, May 10-June 19, 1955: "Masterpiece Series," listed in program Venice, Italy, Palazzo Grassi, June 5-October 10, 1965: "Mostra dei Guardi," cat. no. 142, repr. (Te Deum only sent to exhibition, with incorrect dimensions) (catalogue by Pietro Zampetti). Palazzo Reale, Milan (11/10/2003 - 5/2/2004): "Il Gran Teatro del Mondo: L'Anima e il Volto del Settecento", ex. cat. no. II.56, p. 416-417. Montréal Museum of Fine Arts, Quebec (10/12/2013 - 1/19/2014) and Portland Art Museum, OR (2/15/2014 - 5/11/2014): "Splendore a Venezia: Art and Music from the Renaissance to Baroque in the Serenissima" The Cleveland Museum of Art (02/25/2018-05/20/2018): "Eyewitness Views: Making History in Eighteenth-Century Europe"
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
The second scene in the series depicts Pius VI celebrating mass in the Basilica of Santi Giovanni e Paolo, one of the largest churches in Venice and the pope’s residence during his stay. The mass included a performance of the Te Deum, a prayer of thanksgiving set to music by the Venetian composer Antonio Vivaldi (1678–1741). Traditionally, the Te Deum was recited in thanks to God for a special blessing, including a papal election or a royal coronation, and thus was appropriate for this historic papal visit.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 3 structured provenance events · 6 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line