Pond at Ville-d'Avray
The Cleveland Museum of Art · Elisabeth Severance Prentiss Collection
Museum

Pond at Ville-d'Avray

late 1860s
Jean Baptiste Camille Corot (French, 1796–1875) visual detail
ArtistJean Baptiste Camille Corot (French, 1796–1875)
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Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
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Artist index—
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Provenance

Public
after 1919-1944

After 1919 Mrs. Francis F. Prentiss [1865-1944] Cleveland, OH, bequeathed to the Cleveland Museum of...

1944-

The Cleveland Museum of Art, Cleveland, OH

Provenance event

M. Goupil. J. Quincy Shaw, Boston, MA, by 1917.

Source provenance text

After 1919 Mrs. Francis F. Prentiss [1865-1944] Cleveland, OH, bequeathed to the Cleveland Museum of Art, 1944. The Cleveland Museum of Art, Cleveland, OH M. Goupil. J. Quincy Shaw, Boston, MA, by 1917.

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Exhibitions

Public
Source exhibition text

Baron Gros, Painter of Battles: The First Romantic Painter. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 8-April 15, 1956). Landscape. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 9-April 22, 1962). Museum of Fine Arts, Boston, MA (July 3, 1917-November 21, 1919). French Art since Eighteen Hundred. The Cleveland Museum of Art, Cleveland, OH (1929). Corot 1796-1875. Art Institute of Chicago, Chicago, IL (1960).

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Sourced Overview Evidence

Corot painted this view of a pond near his home at Ville-d'Avray, just west of Paris, in his late style distinguished by soft, hazy forms and gentle, silvery light. Such paintings merge his lifelong study of nature with nostalgic memories and contrast sharply with the more formal compositions and precisely rendered shapes of his early landscapes. Corot's devotion to the direct study of nature was a major influence on the Impressionists.

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Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 2 structured exhibitions.

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