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Pichvai of Shri Nathji
The Cleveland Museum of Art · Purchase from the J. H. Wade Fund
Museum

Pichvai of Shri Nathji

1825–50

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

Comparable Sales

Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.

Provenance

Public
?-1937

(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art)

1937-

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

(Heeramaneck Galleries, New York, NY, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

East Indian Art. The Detroit Institute of Arts, Detroit, MI (organizer) (February 10-March 29, 1942). For Modern America from the Ancient Near East. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 24-March 21, 1948). Krishna and the Path of Grace – Indian Gallery 242 Rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 14, 2020-March 7, 2021).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

Painted-cloth devotional wall hangings (<em>pichvai</em>) form the backdrop to the worship of Krishna as Shri Nathji. As a result of long-term exposure, these textiles are usually faded and worn.<br> <br>The icon of Krishna as Shri Nathji is the central figure. On either side of him, milkmaids with arms entwined join him in a state of ecstasy. Experiencing the bliss of divine play (<em>lila</em>) with Krishna is the main religious goal for followers of the Pushti Marg sect of Hinduism to which this work belongs. Episodes from the life of Krishna and a border of adoring cows frame the central scene.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 2 structured provenance events · 3 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line