Comparable Sales
Same-artist public sales ranked by medium, creation year, dimensions and sale recency.
No public-rights comparable sales meet the current evidence criteria. RELICT does not fill the table with research-only or licensed-only facts.
The Cleveland Museum of Art · Mr. and Mrs. William H. Marlatt Fund
Museum
Peasants Crossing a Stream
c. 1670
Market Intelligence
Observed sale facts, comparable evidence, artist index history and modeled research remain separate.
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.
Evidence ranked
Provenance
PublicProvenance event
- Private collection
Provenance event
Frederick Mont (New York, New York), sold to the Cleveland Museum of Art, 1969
Source provenance text
- Private collection Frederick Mont (New York, New York), sold to the Cleveland Museum of Art, 1969
The Cleveland Museum of Artconfidence 100%
Exhibitions
PublicSource exhibition text
Year in Review: 1969. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 27-February 22, 1970). Dutch Art and Life in the Seventeenth Century. The Cleveland Museum of Art, Cleveland, OH (July 10-September 2, 1973). Real Prints: Reproduction or Invention. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 7-May 17, 1987). Re-presenting the Baroque. Samuel P. Harn Museum of Art (organizer) (October 1, 1997-April 1, 1998).
The Cleveland Museum of Artconfidence 100%
Sourced Overview Evidence
The painting is characteristic of Jan Siberechts's Antwerp style, characterized by scenes with fords through which peasants wade with their cattle. The peasants wear simple but brightly colored attire and stand out against the cool green landscape. Flanked by overgrown foliage, the silver hues of the still stream shimmer with reflections. Over the course of his career, which included moving to London in 1672, Siberechts continued to use many of the same figures in his paintings, including Flemish peasant women carrying jugs, like the one seen in this painting. Likewise, his approaches to depicting animals, such as the cows seen here, changed very little over time and are ubiquitous throughout his oeuvre.
The Cleveland Museum of Artconfidence 100%
Evidence state
0 observed sales · 0 comparable sales · 2 structured provenance events · 4 structured exhibitions.
Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line