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Peasant Children Dancing
The Cleveland Museum of Art · Gift of Mrs. Salmon P. Halle in memory of Salmon Portland Halle
Museum

Peasant Children Dancing

1650s
Le Nain (French) visual detail
ArtistLe Nain (French)
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Market Intelligence

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Public evidence
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Artist index—
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Provenance

Public
Provenance event

Count Ottone Ponte di Scarnafigi of Sardinia (died 1788);

Provenance event

Count Louis de Seyssel, (Turin, Italy), sold to Salmon Portland Halle, 1916

Provenance event

Salmon Portland Halle, upon his death, by inheritance to his wife

Provenance event

Mrs. Salmon Portman Halle, by gift to the Cleveland Museum of Art, 1958.

Source provenance text

Count Ottone Ponte di Scarnafigi of Sardinia (died 1788); Count Louis de Seyssel, (Turin, Italy), sold to Salmon Portland Halle, 1916 Salmon Portland Halle, upon his death, by inheritance to his wife Mrs. Salmon Portman Halle, by gift to the Cleveland Museum of Art, 1958.

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Les Frères Le Nain (The Brothers of Nain). Musée du Louvre, Paris, France (organizer) (October 3, 1978-January 8, 1979). Toledo (Ohio) Museum of Art 1947: "The Brothers Le Nain," cat. no. 14., repr. Paris, Grand Palais, 1978/79: "Les Frères Le Nain," cat. no. 69, pp. 318, 319, 321-322, 324, repr. p. 321. (catalogue by Jacques Thuillier and Michel Laclotte).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

This scene of outdoor, rustic frivolity was probably painted by the Master of the Béguins, a Flemish imitator of the Le Nain brothers who capitalized on their success around the 1650s in Paris. Distinct features of this artist's style are the wide eyes, pudgy cheeks, and white peasant caps—béguins—that give the artist his name. The sturdy and comical peasants, clothed in coarse fabrics with heavy folds, and the use of earthen tones emphasize the provincial mood. During the mid-17th century, the treatment of the poor and lower classes was a subject of great debate in the Catholic Church in Paris, especially at Saint Sulpice, where the Le Nain brothers were buried. Scenes of everyday workers or peasants were incredibly popular, drawing on both comic, Flemish genre scenes of drinking and the French interest in carefully observed, realistic details. Although the picture's meaning remains ambiguous, the gaiety of this world comes from the wonderfully naturalistic details, such as the worn hole on the piper's elbow, the villagers' cheerful expressions, and still-life details such as the ripe apples and reflective drinking vessel.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line