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Paintings after Ancient Masters: Volume 1
The Cleveland Museum of Art · John L. Severance Fund
Museum

Paintings after Ancient Masters: Volume 1

1598–1652
Chen Hongshou (Chinese, 1598/99–1652) visual detail
ArtistChen Hongshou (Chinese, 1598/99–1652)
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Market Intelligence

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Public evidence
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Provenance

Public
Provenance event

Weng Tonghe 翁同龢 [1830–1904], by descent to Wango H. C. Weng

?–1979

(Wango H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art)

1979–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Weng Tonghe 翁同龢 [1830–1904], by descent to Wango H. C. Weng (Wango H. C. Weng 翁萬戈 [1918–2020], Lyme, NH, sold to the Cleveland Museum of Art) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%

Exhibitions

Public
Source exhibition text

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Five centuries of Chinese painting: Ming & Ch'ing dynasties. Dallas Museum of Fine Arts, Dallas, TX (June 27–August 8, 1954). 1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Germany (October 16-December 13, 1959). Chinese Art: An Exhibition of Paintings, Jades, Bronzes and Ceramics: Being a Contribution Made by Smith College Museum of Art to the College Interim Session, 1962. Northampton, MA (1962). (leaves A-J) Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967).

The Cleveland Museum of Artconfidence 100%

Sourced Overview Evidence

The twenty paintings in this double album by Chen Hongshou include landscapes, figures, and flowers. It also has one leaf featuring a woman, an often-used subject not found in the other albums from the latter part of his career. His late works are wonderful summations of Chen's peculiar and quirky art—archaistic, hyper-refined—but without accompanying shallowness or sentimentality.<br><br>His figures and landscapes in the late albums are miniaturized, not unlike the small Chinese gardens, or the carefully selected small table rocks or old roots used for contemplation to see the world in miniature. This loss of scale is quite deliberate and reflects the psychological situation of a depressed class like the Ming loyalist officials and scholars, deprived of their integrity and honor, and forced to lead a diminished and restricted existence.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 3 structured provenance events · 2 structured exhibitions.

Credit LinePlace Of OriginShort DescriptionProvenance TextExhibition History