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Mukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night
The Cleveland Museum of Art · Gift of Mrs. A. Dean Perry
Museum

Mukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

c. 1560

Market Intelligence

Observed sale facts, comparable evidence, artist index history and modeled research remain separate.

Public evidence
Last known price—0 matched observed sales
Observed median—
Observed sales0
Artist index—
No rights-cleared normalized observed sale is attached to this artwork. No synthetic price history is shown.
Artist index unavailableNo completed public artist-index build exists.Artist-level context is not an artwork valuation.

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Same-artist public sales ranked by medium, creation year, dimensions and sale recency.

Evidence ranked
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Provenance

Public
?–1959

Estate of Breckinridge Long [1881–1958], Bowie, MD

1959–1962?

(Harry Burke Antiques, Philadelphia, PA)

1959?–1962

(Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from...

1962–

The Cleveland Museum of Art, Cleveland, OH

Source provenance text

Estate of Breckinridge Long [1881–1958], Bowie, MD (Harry Burke Antiques, Philadelphia, PA) (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) The Cleveland Museum of Art, Cleveland, OH

The Cleveland Museum of Artconfidence 100%
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Sourced Overview Evidence

Maimuna clings to a branch in a dark pit while her villainous husband watches from above. He threw her into the pit in an attempt to steal her possessions. However, because Maimuna was guiltless, luck and fate saved her from an untimely death.

The Cleveland Museum of Artconfidence 100%

Evidence state

0 observed sales · 0 comparable sales · 4 structured provenance events · 1 structured exhibitions.

Place Of OriginShort DescriptionProvenance TextExhibition HistoryCredit Line